Metaphysical MOOC

Course: Reality Bites: Introduction to Metaphysics
Length: 7 modules, 10 hours total
School/platform: Erasmus University, Rotterdam, Netherlands/Coursera
Instructor: Tim de Mey
Quote:
Speculative metaphysics is challenging, but this course will whet your appetite for it, because it explains fundamental metaphysical problems and views in terms of what you can find in your kitchen and what happens in it when you cook and enjoy food. Here are the 8 bites on the menu.
– The first module 1 explains that metaphysics is about the ingredients and recipes of the world, i.e., which kinds of entities exist and how they relate to one another.
– Modules 2 and 3 invite you to reflect on whether the properties of ingredients – such as their shape and weight – are separate from and if so, how they come together in the ingredients.
– Modules 4 to 7 are about cooking: its most important ingredient is time and most cooking consists in causing changes to the ingredients over time. Yet some ingredients persist: although they undergo changes, they remain the same. Moreover, cooking minimally involves putting two or more ingredients together, so that they compose a whole. Hence modules 4 to 7 deal with time, causation, persistence and composition respectively.
– Finally, the last module touch on the smells, tastes and other qualitative aspects of our experiences when enjoying food.

This is my second foray into the philosophy moocs presented by Dr. Tim De Mey of Erasmus University. I was a bit uncertain about the first one on epistemology, but I think I’m getting the hang of it.

Here the topic was existence. That sounds simple enough, until you get to something like: do holes exist? What about color? And then there’s time.  I recently joked around with my blogging buddy Jake about time being merely a construct that he could ignore if it bothered him, but it turns out there are lots of theories about time and existence. The Ship of Theseus provided a convenient way to look at theories of persistence: are you the same person that you were when you were five years old? Causality as well turns out to be a lot more complicated than commonly thought once we start looking at it in depth. That seems to be the entire business of metaphysics: messing with common sense until nothing can be taken for granted, least of all what exists and what doesn’t. It’s great fun.

Each module opens with a brief teaser based on cooking (if you cook an onion, is it the same onion as it was when it was raw? At what point does a group of veggies and spices become curry?), then moves to two or three segments of lectures on the topic at hand. An optional discussion question – which is pretty useless since the discussion forums are ghost towns, a question I raised weeks ago in the Epistemology class is still unanswered – and a quiz consisting of two multiple-choice questions with unlimited attempts, round out the material. An exam of ten questions appears in the last module.

I found the same three problems as I had with Epistemology: first, it’s difficult to organize the material in a way that makes sense and provides for good retention;  second, the lecture transcripts are horrible, particularly in terms of sentence structure and proper names; (while annoying, I have to admit it made for some interesting research opportunities); and third, I wish there were more quiz questions, since they were helpful in getting the material organized in my mind.

If the images provided seem sparse and repetitious, that’s because there aren’t any real images in these moocs. That’s a drawback. When I watch the videos by Carneades or Wireless Philosophy  on these topics, I get visual clues via drawings, diagrams, and sometimes just arrangements of words that helps with comprehension. Here, there’s just the professor and the teaser scenes. Maybe I’m spoiled by soft USAian methods, but I find the visual cues helpful. And they make for more interesting posts.  

In spite of those misgivings, I find there’s a kind of charm to these Erasmus University moocs. They offer a different perspective to the philosophy moocs I’ve found taught by USAian schools, and bring in other materials. And, as I’ve said before, they exist, and they are totally free, with no paywalled quizzes. I’m game to take on the third one on thought experiments.

I have to admit that I lied above (or, as I prefer to think of it, I paraphrased in the interests of simplicity) when I said it was my second DeMey mooc. In between Epistemology and Ontology, I took “The Politics of Skepticism” led by Dr. De Mey and another professor. I didn’t post about it because it didn’t entirely make sense to me; it seemed to me the lectures, the readings, and the discussion questions for the first half of the course were unrelated to each other. I may go over it again at some point when I’ve completed Dr. De Mey’s other courses, and see if it makes more sense.


Epistemology MOOC: What do you know?

Course: The Epistemic Quest for Truth: Introduction to epistemology
Length: 6 hours total
School/platform: Erasmus University Rotterdam
Instructor: Tim De Mey
Quote:

The introduction of the internet and of social media has drastically changed our information position. We live in a time of ‘truth decay’: the distinction between opinions and facts is blurred, opinions have more impact than facts, and sources of factual information are increasingly distrusted. Since philosophers love truth, they deplore these tendencies. But what can they do about them?
In this course, you will be invited to reflect on whether, in what sense and to what extent, 2500 years of normative epistemology, or theory of knowledge, can be put into practice and help to reduce truth decay. You’ll be invited, more specifically, to reflect on
– the theory of knowledge,
– the analysis of knowledge,
– the possibility of knowledge,
– the structure of knowledge,
– the kinds of knowledge, and
– the value of knowledge.

I initially had some complaints about this course, but the more I looked at them, the more I realized they were the result of my misconceptions and lack of diligence. I’m still a bit surprised that this is listed as a beginner course. There’s a lot of material here, and while much of it isn’t covered in great detail, there’s still a lot of coordinating and organizing of ideas required. I ended up with a lot of concepts and definitions, and little structure. The Learning Objectives included with each week helped me create an outline so I could better understand how they related to each other. 

Week 1 is a fairly general introduction, but it began with a notable passage:

Suppose, for the sake of the argument, that the White House is occupied by a bully president, whose blunt lies not only ever increase in number but also in preposterousness. Or suppose that, to subvert the call for political or legislative action, “merchants of doubt” call into doubt well-established scientific facts such as climate change or evolution. Or suppose that almost every dramatic, politically sensitive event triggers a proliferation of conspiracy theories. Or suppose that journalists and the media continuously get bad press because they are accused of producing fake news. Or still, suppose that although in theory, communication technology allows for maximum freedom of expression of opinion in an ideal marketplace of ideas, in practice, the real marketplace of ideas blocks rather than facilitates the free and open exchange of views.

Yeah, suppose. There was a glimmer of a response to this in the material – foundherentism, connecting the ‘raft’ of convoluted conspiracy theories to reality – but this does not mean there’s a way to combat it, only to recognize it.  Too bad.  Oh, and a later passage assured us this was a fictional example, of course. It’s interesting, though, that anyone complaining about it would have to admit to being, or at least being seen as, a bully and liar.

 In Week 2, the traditional justified true belief definition of knowledge is outlined, followed by Gettier cases and proposed solutions to them: no false lemmas, no defeaters, replacing justification with causality or truth sensitivity, using a purely subjective conception of knowledge. It took me a long time to just come up with that sentence, rather than having all these words floating around. Outlining is a superpower.

Week 3, covering skepticism, was even worse: while I’ve dealt with the Cartesian ‘evil demon’ and the brain-in-a-vat problems before, tons of stuff came up here that needed to be organized, and I still don’t think I’ve got it: the difference between contextual salience, and exclusion of irrelevant alternatives, are still problematic for me. I’ve revisited a couple of quiz questions maybe a dozen times to see if I’ve got it: sometimes I do, but then it slips away from me again.

In Week 4, the solutions to Agrippa’s trilemma got complicated as well, with solutions, and the arguments against them, presented linearly. Here again is where outlining helped. I think this is probably full of very useful approaches, particularly coherentism and foundherentism, in dealing with conspiracy theories, but again, it’s all rather vague to me. This cried out for practical examples.

Week 5 reviewed reliabilism, and included a tantalizing reference to Sosa’s view of animal and reflective knowledge, but again, I desperately wanted examples or at least more information. And Week 6 was either a throwaway – how the field of epistemology should progress, focusing on heuristic methods of determining knowledge – or I completely  missed the point. I suspect the latter.

Each unit includes a reading assignment, presented as an “elaborated and updated version” of the lecture. I call bullshit. The reading (available online) turns out to be a chapter from an introductory text; there are some differences, but to call them elaborations is misleading. Whether the chapter is a text version of a lecture given every semester, or is a script read in the videos, is uncertain. I will give great credit to the instructor for presenting the lecture in an animated and engaging way, rather than the stiff manner so often resulting from reading a script. I suppose that lecturing from the reading is one way to get students to at least hear the readings, if not actually read them.

What I found most useful about the readings was they were a lot more legible than the transcripts, particularly when it came to proper names and punctuation; eventually I used them instead of the transcripts. The poor quality of lecture transcripts is an ongoing problem with Coursera; I served as a CTA in one course, and begged them to fix the transcripts which referred to Socrates’ daimon as ‘diamond’, to no avail.

The first five units each included a ‘quiz’ that consisted of… two questions. I just mentioned, in my comments about the Genetics mooc I took last month, that it was through quizzes that I was able to put material together and discover what I had and hadn’t learned from the lectures. Two questions didn’t help much, with the exception of two questions in the final unit. And, by the way, one of the questions in unit 1 asked about material not covered until unit 2, which is kind of unfair.

The quiz for the final unit consisted of ten questions, which served as a sort of final exam. As I mentioned before, two of those questions, in fact, still puzzle me, and I’ve gone back maybe  dozen times to look at the differences between the contextualist view of salience, versus the relevant alternative theorist view, to understand the answers. The quizzes are multiple choice and allow multiple attempts, standard for Coursera classes, so it’s possible to pass even if you haven’t bothered to listen to or read the material. But here, even armed with the correct answers, I’m not sure how the concepts work. I left a message expressing my confusion and asking for further clarification on the discussion forums; I’ll check back to see if anyone replies.

Each week also includes a Discussion question which seems to be sparsely answered, also standard for Coursera. Don’t get me started on the forums that once upon a golden time were bursting with activity, and how Coursera decided that was a bad thing so changed their format.

If it sounds like I’m complaining a lot, well, I guess I am, but overall I still ended up, after some grappling with my complaints, with a positive impression. There are several bright spots. For one thing, it exists. Moocs on philosophy – on the humanities in general – seem to be fading away as business and computer science become the focus. And it’s a completely free course; no paywalls, no “in order to see how you did on this quiz, sign up for the verified track” messages (which, I’ll admit as an observer, is brilliant marketing, but as a victim,  er, student, is incredibly annoying).

Another positive was the professor, who, as I mentioned, was animated and engaging throughout. I also enjoyed the little 30-second vignettes that preceded most of the units, titled “For All We Know.”  This was a whimsical cinematic prelude to the material, silent B-roll footage of a small group of students who can’t find their professor, with a voice-over, in Dutch (with English subtitles). The first unit’s entry:

Suppose that we arrive at the ISVW [a lecture hall at the school], but we cannot find our lecturer. As he is late quite often, we wait an academic quarter, but then we really try to find out why he isn’t there and what his whereabouts are instead. What kind of knowledge are we looking for and what kinds of knowledge do we need to find that out? What should we be able to do and with what should we be acquainted to find out our lecturer’s whereabouts?

As I wondered about what seemed to me a lack of explanation of the material, I went hunting for more information on the university of Youtube and found that Jennifer Nagel (no relation to Thomas) of the University of Toronto had a nice playlist on Epistemology for Wireless Philosophy; using that, and creating my own Outline, helped organize the material in a more comprehensible way.

I considered carefully the question of whether I ‘liked’ this course, whether it was ‘good’. Initially I wasn’t even going to write it up; when I have a lot of negatives about a mooc, I skip posting about it, since I feel like I don’t want to discourage anyone from taking, or from creating, learning materials just because they don’t happen to fit my particular needs and preferences.

Then I realized that I did a lot of work to understand what was being taught. I was reminded of Derek Muller’s study (one I refer to often) in which students given a confusing dialog presentation on a scientific concept actually performed better on post-test than those given a clear lecture presentation of the same concept. Maybe that was at work here. Because I was confused, I had to put more work into figuring out the organization of the material, and perhaps learned it better than if it had been presented with bullet points and a pre-made outline. Then again, this is a mooc; my motivation was the only factor that kept me from saying “The hell with this” and unenrolling, so while it seems to have worked, it might not be an effective strategy in all circumstances.

Score another point for blogging about these moocs: had I not done so, I would’ve just shrugged off this course as a bad experience. Since I put in a little effort to document what I didn’t like, I not only changed my mind about the effectiveness of the course, but have discovered a whole bunch of courses by the same professor – and have started one already. That’s probably the strongest indicator that this was, in fact, a Very Good mooc. But you have to want it.

___________________________________________________

Zoroastrian MOOC

Course: Zoroastrianism: History, Religion, and Belief
Length: 4 weeks, 3 hrs/wk
School/platform: SOAS, University of London/FutureLearn
Instructor: Sarah Stewart, Celine Redard
Quote:

Zoroastrianism has had a profound influence on major world religions. Its history tells the story of imperial culture, persecution, migration and the establishment of diasporic communities.
Utilising a rich visual repository of artifacts, paintings, and texts, this four-week course will take you through the story of Zoroastrian religion, history, and culture.
The course draws inspiration from an exhibition titled ‘The Everlasting Flame: Zoroastrianism in History and Imagination’, as well as the book of the same name.

Every once in a while, I’ll run into a reference to Zoroastriaism in something I’m reading or in a mooc or a video on philosophy, religion, or ancient history. Yet I know very little about it. Most of what I knew prior to this course came from the Global History of Architecture mooc I took a few years ago, but that wasn’t much: fire, sky burial, Persia. So when Class Central tweeted this into my feed, I thought, hmmm, that looks interesting.  

The mooc is based on SOAC’s 2013 exhibit, and companion book of scholarly essays, titled The Everlasting Flame: Zoroastrianism in History and Imagination. Material, about half video and half article, is divided into four weeks: an overview of the texts and beliefs of the religion, its history in the ancient world, the diaspora and contemporary Zoroastrianism, and the Avestan language, the original language of the sacred texts.

My biggest takeaway was how so many aspects of the religion were similar to Christianity; in fact, one section looked at the influence of Zoroastrianism on the three Abrahamic religions, as well as Buddhism and Hinduism. We have a fight between good and evil, with a fallen angel being cast out of heaven, and a final battle between good and evil at which point a descendent of Zarathustra (aka Zoroaster), the primary prophet, born of a virgin, will resurrect the dead to dwell in perfection as Ahura Mazda, the creator god, had originally planned. I have often heard that the three Wise Men, the Magi, were thought of as Zoroastrians from Persia. To complicate matters, there’s also the judging of souls after death by weighing of the heart, which sounds a lot like the process outlined in the manuscripts now known collectively as Egyptian Book of the Dead.

The history of the religion, as covered in the course, is somewhat fragmented. The original tenets, prayers, and worship features were transmitted orally for a few thousand years; they were eventually written down in one language, then translated to others as the followers were subsumed within other cultures due to migration or conquest. Thus, little of the original written material remains. After the Islamic conquest of Persia, Zoroastrianism moved to India, which I found surprising. I get the impression of a proto-religion, something like the Indo-European language that in itself no longer exists but can be retroactively surmised by combining aspects of the languages descended from it.

The final week was about the Avestan language of the original documents, though these are piecemeal and need to be combined with later transcriptions into other languages to provide a potential picture of the original religious practices and beliefs. Normally, this is something I’d jump all over, but I had a lot of distractions and I’d really lost the thread by then.

Some of the more unusual parts of the course include a reading of a particulary popular story of the test of faith, comments from contemporary Zoroastrians on their connection to what is a widespread but distinctly minority religion, and the language piece which includes practice in writing alphabet and in reading a few words.

I’ll take most of the responsibility for my less-than-stellar focus in this mooc, but for me the presentation wasn’t the most engaging. Others, if the forums are any indication (and they usually are) were quite delighted, including a number of contemporary Zoroastrians from around the world, as well as many students with  backgrounds in the general vicinity of interest. I’m glad it was offered, as I do know a bit more now than I did before. Maybe at a future time, I’ll be able to better absorb more of the material.  

K-Phil MOOC: An Introduction to Korean Culture and Philosophy

Course: Introduction to Korean Philosophy and Culture
Length: approx. 12 hours total
School/platform: Sungkyunkwan University/Coursera
Instructor: So Jeong Park
Quote:
This course will give you the cultural and historical background to begin your journey into Korean philosophy, and there is no prerequisite knowledge on philosophy required. Anybody who either has an interest in Korean culture, maybe through K-Dramas or K-pop, or an interest in philosophy from a cross-cultural perspective, are all welcome….
The Korean cultural, social, and political environment has informed and transformed the intellectual assets of China and the West. You’ll explore the creative tensions that Koreans have experienced, and broaden your worldview as you discover a new philosophical approach.

I know nothing about K-Pop except that it exists (it even shows up in some Duolingo Spanish dialogs) but apparently it’s hoped that some fans will use it as a springboard to study Korean philosophy. That’s cool. Me, I just like philosophy, so when I saw this course was available, I jumped at it.

I expected there would be some carryover from Chinese philosophy, and that was very much the case. The first couple of weeks dealt with how Korea both adapted Chinese ideas, and developed its own writing system rather than using Chinese characters, via mechanisms referred to in the course as adaptive and disruptive innovation. Since I have a longstanding interest in linguistics, I found the writing system’s use of not just familiar concepts of forward and backward placement and vocal mechanisms, but of aspects of Yin and Yang as well as the Five Elements found in East Asian cultures.

History also played a role. The name of the university offering the course became a lesson, as the word Sungkyun was a Chinese loanword that, while it lost most of its meaning in China, became an educational standard in Korea, with the extra twist that it was used for the University during the Yuan dynasty as an act of rebellion. For details, you’ll have to take the course; it’s worth it.

One of the central issues with Korean philosophy – with Chinese philosophy as well – is that of connection rather than opposition. This may start with Yin and Yang, which are not seen as opposites but as feeding into each other. The course focused on reason vs emotion, which in Western philosophy are seen as opposites in conflict with each other. Much of Korean philosophy observes how the two generate and moderate each other, more as a circular spectrum than as separate ideas. We spent some time listening to students discuss the term for mind-heart, Maum, 마음. The Four-Seven debate, concering the moral emotions and the everyday feelings, made up another major philosophic topic, as did the Horak debate about whether animals have morality and if anyone can achieve sagedom. The complexity of the term Uri, 우리, the first-person pronoun, was a major topic as well, as it is not quite I and not quite we but about seeing onesself in connection with others, yet distinct. All of these topics require further investigation; this was merely an overview to introduce the ideas.

The format was what I call “Youtube plus a quiz”: several lecture videos, and sometimes a student Q&A, made up each module, with an information-retrieval test of ten questions at the end. The graded final exam of 25 questions is paywalled; you can see the questions but not submit for grading (or find out if you got the questions right, which is a brilliant way of encouraging the competitive among us to shell out $49.00 for a certificate).

A four-week course can only cover so much, of course, but now that I’m reviewing the material to write this post, I’m surprised at how much was included. The course was designed for absolute beginners in both Korean culture and in philosophy in general, so there’s a lot of unexplored depth, but it still conveyed a substantial introduction. I was quite pleased.

Renaissance Travel Manuscript MOOC: Geographic Discoveries and New Worlds through the Eyes of a Renaissance Jewish Scholar

Course: Changing Minds: Geographic Discoveries and New Worlds through the Eyes of a Renaissance Jewish Scholar
Length: 5 weeks, 1-2 hrs/wk (a 90 minute lecture divided into six modules)
School/platform: Penn/edX
Instructor: Fabrizio Lelli, Associate Professor of Hebrew Language and Literature. University of Salento (Lecce, Italy).
Quote:
This course will explore the world of the Jewish renaissance scholar Abraham ben Mordecai Fairissol and his manuscript A Letter on the Paths of the World ( Iggeret Orhot ‘Olam ). Farissol, a product of the northern Italian Renaissance, wrote this geographical treatise about a world seen anew through advances in science, exploration, and trade. The manuscript gives us insight into the place of Jews in the northern Italian Renaissance and demonstrates the ways they were at once deeply embedded in the changing intellectual landscape of the day, but also striving to assert distinctive Jewish belonging in this vibrant intellectual world. Among other things, this text is the first mention in Hebrew of the discovery of the Americas.

For the third time, Penn offers a wonderful mini-mooc on a particular Jewish manuscript from the Katz Center for Advanced Judaic Studies (my experience with the prior two can be found here).  I heard about it, as I’ve heard of so many courses, via Class Central’s Twitter feed: if you like moocs, they’re very worth following.

This manuscript, Iggeret Orhot ‘Olam (A Letter on the Paths of the World) is considered particularly significant in that it includes the first reference to the New World found in a Hebrew book:

“It is now an established fact that the Spanish Ships which were sent on an expedition by the King of Spain almost gave up hope of ever returning. But divine providence had decreed for them a kinder fate than death amid sea. Those at the topmost mast discerned a strip of land. When they had sailed along its shores, and saw its exceedingly large size, they called it because of its great length and breadth, ‘The New World’. The land is rich in natural resources. They have an abundance of fish, large forests teeming with large and small beasts of prey, and serpents as large as beams. The sand along the shores of the rivers contain pure gold, precious stones, and mother of pearl.”
Abraham Fairissol: Iggeret Orhot ‘Olam, Ch. 29 (translation)

The material covers a broad array of topics, showing how the manuscript fits into the time and culture in which it was written, as well as its content. First we find out some basic information about the author, Abraham ben Mordecai Farissol, and Northern Italy of the 16th century, particularly the role of Jews, who had arrived in large numbers following the Spanish expulsion: they were welcomed and could be found in many industries, professions, the arts, and scholarship. Lelli shows how Jewish life was represented positively in visual and written arts.

Lelli discusses the fascination with nature at the time, which was seen in religious terms, as evidence of God’s power. There’s a reference to cameleopards in Fairissol’s manuscript, and there’s evidence he had been to visit the Medici Giraffe, which I first learned about last year when I read the wonderful historico-theologico-fantasy, Lent by Jo Walton, one of those books I read in front of my computer so I could look up things like the Medici Giraffe. Travel and far-off lands were also viewed through a religious lens during this initial age of exploration and trade. One of the themes of Fairissol’s work was to indicate that these lands were mentioned in the Bible. Lelli tells us:

Farissol’s first aim was that of drawing inspiration from the Bible, as it appears from the choice of the title. Indeed, Orhot ‘Olam, “the paths of the world”, is a quotation from the Book of Job, where the Hebrew phrase is endowed with a profoundly different meaning than what we would expect from Farissol’s introductory words. In the standardized English version of the Bible, the verse reads “Will you keep to the old path that the wicked have trod?” Farissol changes this plain meaning of the biblical text, giving it a new interpretation. The orhot ‘olam of Job are certainly not the ways of the New World, the itineraries a modern traveler should follow, nor are they the paths of wickedness as in Job, but are rather those of the valued tradition that should not be abandoned even in new worlds. Farissol walks between the old paths of Jewish tradition and the new paths of the recently discovered lands and new knowledge.

The manuscript refers to a number of interesting individuals in connection with travel, from the legendary Prester John (another recent discovery of mine via Eco’s Serendipities), to “messianic activist” David ha-Reubeni. The last two segments include technical information about the sources of Fairissol’s manuscript, and the various copies that exist today and how they differ from the one in the Penn collection in content and script.

These aren’t moocs so much as they are individual lectures about specific manuscripts reformated into mooc form. In this case, the module review questions were paywalled ($29) but while it would have been nice to have seen what points were considered most important, the lecture stands on its own just fine. A list of interesting discussion questions in the wrap-up material serves the same purpose.

It’s listed as an Advanced course. While the lecture isn’t difficult to follow, it does assume some passing familiarity with the northern Italian renaissance and general European history of the time. But don’t be intimidated: A willingness to look up unfamiliar terms (or to tolerate some uncertainty) will do just fine. A generous glossary and list of additional sources found at the end of the lecture provides additional support.

While the description lists it as a five week course of one hour per week, it’s probably best enjoyed in a more condensed format. Each module’s lecture is about 15 minutes, and while they are information-dense (particularly for those of us who need to do a little extra work to understand the references), I found that viewing several in one longer session provided better momentum.

It isn’t likely to become a super-popular course – it’s not one of the “fun” moocs like the Science of Beer, or something that’s likely to boost your resume like business or computer courses –  but courses like this offer a unique perspective on history, and a chance to see ways in which manuscripts can be valuable outside of their artistic beauty. I’m a big fan of the “oooh, pretty” class of manuscripts, but it’s nice to have a chance to see how scholars view specific content as well. Niche courses are wonderful for those who appreciate the niche, and they cover topics not likely to be found elsewhere.   

Happiness is a Chinese Philosophy MOOC

Course: The Path to Happiness: What Chinese Philosophy Teaches us about the Good Life
Length: 13 weeks, 1-2 hrs/wk
School/platform: Harvard/edX
Instructor: Michael Puett
Quote:

Today, finding happiness is about mindfulness and discovering your true self. You may have heard that happiness is found by looking within. Ancient Chinese philosophy challenges all of these modern assumptions. From Confucianism to Daoism, the philosophies developed over two thousand years ago are among the most powerful in human history.
This course brings voices from the past into modern contexts to explore the path to a good life today. The philosophical concepts discussed provide tools to change your life and increase personal happiness by focusing on your actions, the power of ritual, and the importance of sensing the world around you.

The world is full of wonders, and one of them is that just as I, determined anti-self-helpist, started reading a self-help-disguised-as-American-philosophy book about William James, Class Central tweeted about a self-help-disguised-as-Chinese-philosophy mooc. I couldn’t let a Chinese philosophy mooc pass me by, self-help or no. Especially when the instructor is Michael Puett.

I first discovered Michael Puett through Harvard’s ChinaX series when I took the first few parts of it about four years ago. I’m not sure what it is that makes him such a wonderful speaker: he’s not dynamic, or funny, or even particularly attractive (hey, we all go there sometimes), at least in ways we usually think of in terms of great speakers. But I sometimes just look for videos on youtube where he’s explaining something, even something I don’t understand (Chinese history, rather than philosophy, is his academic area, though the two aren’t all that separable). In this particular course, he has a somewhat Mr. Rogers vibe, and it’s mesmerizing. And soothing. ASMR for philosophy geeks.

And of course it’s even better that he’s talking about Confucius. And Mencius. And Zhuangzi. And Mozi and Laozi and Xunzi and Hanfeizi and how they all relate to one another, how they’ve all developed ways of going through life.

Only a very narrow slice of the scholars’ works is under discussion. There are other courses go into broader and deeper views, but the point here is to present one aspect of a philosopher’s work that can be turned into thought or action for contemporary day-to-day living. I think it would play just fine for those without any prior exposure to Chinese thought, and as someone who’s had some prior exposure to the basics of Chinese thought, I liked it as a quick review of the high points. The lectures seemed a bit repetitive, but for someone encountering the material for the first time, I suspect that would be a plus.

The time estimation of 13 weeks seems wildly excessive to me, but that’s fine, I suppose you could stretch it out; I went through it in about a week, doing maybe 90 minutes a day (hey, I like this stuff). The graded parts of the course – quizzes after each lecture – are unavailable to audit students; the Verified track costs $99. But in a course like this, grades aren’t really the point.

The self-help aspect of the course is actually quite useful as a pedagogical tool: a Self-Reflection diary follows each video segment and stores the student’s input as a PDF that can be downloaded complete at the end of the course. It starts from the beginning – what habits do you have? – and shows up after each lecture video. What patterns do you notice in others close to you? What can you identify in your life that could become a ritual space? What activities would you like to do spontaneously? These questions stem from the content of the lecture (habits, patterns, ritual spaces, spontaneity) and help emphasize the meanings of those terms in the context of the philosopher under discussion. For example, the dinner table or a business meeting can become a ritual space; playing a musical instrument or a sport can, after a lot of focused practice, become spontaneous. So it, too, serves as reinforcement for the particular vocabulary.

Whether you want to take the life advice or just learn something about Chinese philosophy, it’s an informative and pleasant way to do it. And soothing.

Bible Old and New – Yale OCW

Course: Introduction to the Old Testament (Hebrew Bible)
and
Introduction to the New Testament History and Literature
Length: ~25 50-minute lectures each
School/platform: Yale OCW
Instructor: Christine Hayes, Dale Martin
Quote:
This course examines the Old Testament (Hebrew Bible) as an expression of the religious life and thought of ancient Israel, and a foundational document of Western civilization. A wide range of methodologies, including source criticism and the historical-critical school, tradition criticism, redaction criticism, and literary and canonical approaches are applied to the study and interpretation of the Bible. Special emphasis is placed on the Bible against the backdrop of its historical and cultural setting in the Ancient Near East.

This course provides a historical study of the origins of Christianity by analyzing the literature of the earliest Christian movements in historical context, concentrating on the New Testament…. the importance of the New Testament and other early Christian documents as ancient literature and as sources for historical study will be emphasized. A central organizing theme of the course will focus on the differences within early Christianity (-ies).

Since several of the books I’m reading this summer concern Biblical materials or religious history, I decided it might be a good idea to run through these online lectures. I’ve done several versions of “Bible history” over the decades, some through religious sources, some academic. When I was organizing my books after my recent move, I noticed the “religion/philosophy” shelf was almost equal to the mass of the “medical” shelf. But I keep forgetting.

The first course on the Hebrew Bible was more or less formal lecture and covered the expected material: the J, P, D, and E sources, which prophets were Northern Kingdom and which were Southern, who was pre-exile, post-exile, and trans-exile, etc. The instructor demonstrated great fondness for the texts, and made convincing arguments that, contrary to later opinion in Christian culture, Judaism was not all about law and rules. The origin of some of the most familiar Biblical stories in ancient mythologies from around the middle East, the changing covenant with God from suzerainty to a more Zionist approach to the less concrete displayed in Job are outlined, along with the history that provoked these changes. I always thought the book of Job was one of the earliest in the Bible; turns out, the basic story is very old, but the philosophical construction reflects a much later period in ancient Israel’s history.

The New Testament instructor took a more casual, interactive approach, injecting frequent humor and asking for input from the in-person class. The formation of the Canon was a running theme, as was the wide variety of Christianities that existed in the first two centuries and the texts that were winnowed from what has now become the standard Bible. Viewing the Bible as a library, rather than as a single book, was a helpful way of dealing with some of the contradictions found between different books. Different views of Jesus as seen through different Gospels – including a few that aren’t in most contemporary Christian canons – were lined up with possible authorships. Paul’s letters were thoroughly covered, as well as the pretend-Paul letters and other letters that show various types of Christianity in the first couple of centuries after Christ.

Both courses generally focused on textual and historical methodologies, but offered several alternatives for reading the texts, and acknowledged the validity of theses approaches for various purposes. Transcripts of each lecture are available; in some cases, handouts are provided, particularly in the NT course. Videos of the lectures can be watched on the Yale Open Courseware site or on Youtube: Hebrew Bible lectures, New Testament lectures.

Many years ago, when I was still paddling around organized religion trying to find something that made sense, I heard a sermon that advised something like: “If you study the Bible a little, you might decide it’s all nonsense, but if you study it a lot, you start to understand its Truth.” Maybe I just haven’t hit the turnaround point yet. Particularly in this age when the Abrahamic religions are often not showing themselves as particularly inspired by a God of Love, I feel like it’s all a giant Rorschach test and what we see in the Bible is more a reflection of what we want to see than of any actual Truth. Man creating God, circa 2019 instead of 500 BCE. But it’s an interesting way into ancient history.

Both courses make it clear early on that the purpose is not spiritual guidance or any kind of theological exploration, but an examination of the Bible as a text. It’s a useful course for anyone interested in an originalist view of scripture, and understanding how history and circumstances at the time of writing shaped the texts. Because it’s an introductory course, there are lots of open questions left and other avenues to explore, but it’s a good way to define those questions and directions for further work.

Free Will on the Brain MOOC

Course: Libertarian Free Will: Neuroscientific and Philosophical Evidence
Length: 6 weeks, 4-6 hrs/wk
School/platform: Dartmouth/edX
Instructor: Peter Tse
Quote:

In this course, we will dismantle arguments against free will, both from a philosophical and neuroscientific perspective. In supporting free will, we will tour philosophy, physics and neuroscience. We will rethink the neural code and discover that evolution has discovered a middle path between determinism and chance.

Philosophy plus neuroscience: what could be better?

But let’s get rid of one potential misconception: this course has absolutely nothing to do with the political stance known as Libertarianism. Instead, it focuses on philosophical libertarianism, which is related to non-determinism and the potential of different outcomes for different choices. The second level of this is to become a different kind of chooser, a bit more sophisticated kind of free will, in which we can decide to learn a language or a musical instrument and thus open up those choices, or follow a particular way of life and make our choices there. Sound complicated? It isn’t, really, but it helps to take the first couple of weeks of the course to see the ways this works.

The material was based largely on Dr. Tse’s book The Neural Basis of Free Will and as such had a clear point of view, yet made it clear there are other points of view as well. There were a few lecture segments that seemed a bit polemical to me, but these were clearly presented as coming from a particular point of view, rather than as fact. The instructor was engaging and clear, covering basics of both philosophy and neuroscience first then moving on to more complex topics.

The first week presented an overview of determinism vs non-determinism, and the general outline of free will within that schema. Week two continued with a philosophical approach to the classifications of free will. The remaining four weeks focused more on neuroscience, and how our brains have evolved to allow consideration of choices, as well as random fluctuations that prevent determinism.

I still have some issues with this. While the “swerve” (borrowing that phrase from Steve Greenblatt’s wonderful book on Lucretius) prevents absolute determinism and adds in an element of randomness, I still don’t see that it automatically creates free will. If we are just as beholden to the swerved paths as the originals, how is that free will? But it seems to be basis, along with quantum fluctuations (spooky-action-at-a-distance is the one I have some vague, rudimentary grasp of), of free will.

In any case it was seriously interesting all the way through. If some of the material should seem overwhelming, don’t worry; the graded questions are looking for broader concepts. A set of non-graded questions follows up each lecture, with a quiz at the end of the week drawn from those same questions. There’s reallly no excuse to miss any of those questions, in other words. They account for 75% of the course grade, with discussion counting for 25%. Since the passing grade is 70%, it’s very possible to pass the course without doing the discussion. I avoided discussion deliberately, as there was a particularly argumentative student who basically disagreed with everything, and I just didn’t want to deal with it.

Even though I’m less than convinced that the questions are answered, I greatly enjoyed the course since it hit two of my primary areas of interest.

Critical thinking mooc

Course: Critical Thinking: Fundamentals of Good Reasoning
Length: 9 weeks, 4-6 hrs/wk
School/platform: IsraelX/edX
Instructor: Jonathan Berg
Quote:

This course is an introduction to critical thinking—thinking about arguments, about reasons that might be given in support of a conclusion. The objective of the course is to improve the student’s ability in the basic skills of critical thinking….
Of course, we all know, to some extent or another, how to think critically—how to think about reasons for or against some claim. The course is built on the assumption that learning more about what exactly is involved in thinking about reasons leads us to do it better. Thus, in each topic covered, our natural logical instincts serve as a starting point, from which we develop a rigorous, theoretical understanding, which then boosts our critical thinking skills.

I’ve taken, what, four or five introductory logic courses now; each one is a little different. Some are more comprehensive, some focus on different things. This one kept things at the simplest level and featured lots of very clear explanations and examples, plus three different modes of grading. As a first course in logic, I think it might work quite well. And then, it included my favorite: truth trees! Some of the other topics included Venn and Euler diagrams, types of deductive argument structures and fallacies, and inductive arguments. Most of the emphasis is on recognizing these elements in actual, if simple, arguments.

Each week consisted of two or three individual lessons, generally about 10 – 15 minutes of video each. Graded material came in three flavors:

  • A short set of questions with unlimited attempts at each question followed each video (25%);
  • Three overall quizzes, one every three weeks (and I found these surprisingly difficult, since I frequently misinterpreted statements), with one attempt per question (these are timed, but the two-hour time limit was more than ample)(45%);
  • Three submission exercises in finding an argument “in the wild” pertaining to the covered topics were required (30%). This wasn’t really peer-assessed, since full credit was given merely for submission and evaluation of other students’ work, with student evaluations not factored into the grade. The hardest part was finding an argument that could be fairly easily broken down into premises and conclusions; except for the last week, where I’d seen something on Twitter that immediately screamed “Argument by analogy with faulty property inference”.

Since two of these elements can be aced with minimal effort, a passing grade is almost a given.

The last week was devoted to production of an argument, with steps for design. The structure was useful, but there’s no way to practice. This is the Achilles’ heel of many humanities moocs: once they gave up on real peer-assessment, there’s really no way to create an assignment for this. The discussion forums would be an option, but, somewhat surprisingly, there was little activity, beyond the initial meet-and-greet, even though the instructor provided feedback for questions.

I thought it was a very good, if very basic, introductory course. The Duke reasoning course on Coursera gets into some of the more complicated and hard-to-parse examples so might make a good follow-up. Microsoft’s logic and computational thinking course covers much the same ground, then gets a bit more into scientific applications. I still miss the now-disappeared Australian course, my personal favorite logic course which included wonderful topic areas I’ve never seen anywhere else: language, mathematics, and computational logic. The Stanford course on Coursera is tailored to computer science; better minds than mine have hated it as much as I did. But for anyone looking for a place to start, this introductory mooc would fit the bill. And trust me: the more you go over it, the easier it gets.

Hope through Existentialism mooc

Course: HOPE: Human Odyssey to Political Existentialism
Length: 10 weeks, 3-4 hrs/wk
School/platform: Princeton/edX
Instructor: Uriel Abulof
Quote:

Human Odyssey to Political Existentialism (HOPE) is a journey into the human condition and its politics, turning to existentialism for guidance. The course explores, on both individual and political levels, the following themes: Human / nature, identity & authenticity, freedom, reflection, happiness, death & dread, meaning, morality & ethics, truth & trust, God & religion, alienation & love, and finally – hope.”

HOPE is a richly interdisciplinary course: anchored in political science and philosophy, it also draws on history, sociology, psychology, and economy – synthesizing theoretical insights with empirical findings; both vintage and novel. HOPE shows that science and art can create a wonderful synergy when studying – indeed foregrounding – our humanity.

When I signed up for this course, I figured it would be one of the “light” philosophy moocs: less about reading Sartre, and more about “how do you feel about X”. That’s ok, that can be useful. Then, a few weeks before the start date, Princeton sent out a unique preview video that made me – can I say it? – hopeful that the course might be quite interesting.

There wasn’t any reading Sartre, it’s true, and rather than reading chapters of Kierkegaard or Nietzsche, there were nutshell versions of pertinent ideas. But a great deal of work went into putting together a course that showed applications and consequences of those ideas in the form of film, literature, and music. And, yes, discussion questions.

Each of eight content weeks (plus an introductory week) focused on a topic – say, identity, or freedom, or happiness. Material included a warm-up exercise, perhaps a poll on what quality makes humans different from animals, or a discussion question like “Is a happy virtual reality better than a miserable reality?” Lecture videos tended to run longer than the canonical 6-minutes, but usually included film clips and/or music videos pertinent to the topic. Clips varied from 1984 to more obscure European films; the music videos were mostly alternative/progressive rock: Pink Floyd, REM, Radiohead. This sounds minor, but trust me, while permission is almost always granted for this sort of thing, the process – even if it’s just putting up a credits list of public domain items – still requires significant work. A lot of care went into this course.

Specific discussion questions followed each video – and, by the way, this is the only course I’ve taken that has figured out how to solve the problem of “what part of ‘Reply, don’t start a new thread’ do you not understand”. Unfortunately, it was difficult to follow up, since only direct replies were notified, but that’s true no matter what. Brief multiple choice quizzes with several attempts were also included, as well as a “Gallery Assignment” – basically a discussion question plus art, which ended up offsite on a Princeton board. Grading was a complicated mixture of these elements, but basically required self-reported participation in discussions and the Gallery as well as quiz scores to earn a passing grade.

I was psyched at the beginning, but I have to admit, I got a little tired of it as time went on; I more or less skipped the last two weeks. That isn’t the fault of the course, which is imaginative and carefully designed and executed. I just have a preference for the dry, straight lectures and reading assignments so many people take courses like this to avoid. I knew what it was going in, and I’m glad I had the opportunity to try something a little different. And for those who would rather bypass the dry lectures and voluminous reading, it offers an experiential way to encounter some of the basic ideas of existentialism.

Paradise Lost and other things Milton: MOOC & OCW

“Paradise Lost”, bas relief (ca.1330, predating the poem) by Lorenzo Maitani, Cathedral of Orvieto, Siena


Course: John Milton: Paradise Lost
Length: 4 weeks, 2-8 hrs/wk
School/platform: Dartmouth/edX
Instructor: Thomas H. Luxon
Quote:

….[L]earners will use the Milton Reading Room’s online resources and links to contribute to an ever-growing body of scholarship….
The annotations and glosses to Paradise Lost in the Reading Room not only help readers make their way through a notoriously difficult poem, they also provide links to the classical, biblical, religious, and historical works to which the poem so frequently refers. This makes informed engagement with Milton’s epic poem more possible than it ever has been.
___________________________

Course: Milton
Length: 24 50-minute lectures
School/platform: Yale OCW
Instructor: John Rogers
Quote:

This class is a study of Milton’s poetry, with attention paid to his literary sources, his contemporaries, his controversial prose, and his decisive influence on the course of English poetry. Throughout the course, Professor Rogers explores the advantages and limitations of a diverse range of interpretive techniques and theoretical concerns in Milton scholarship and criticism. Lectures include close readings of lyric and epic poetry, prose, and letters; biographical inquiries; examinations of historical and political contexts; and engagement with critical debates.

Back in February, I read a poem in Pushcart that heavily referenced Paradise Lost. I wrote something like “I wish there was a mooc on this poem, because I can’t read it alone.” And look what happened: Dartmouth must’ve heard me. And Yale must’ve known years ago.

The Dartmouth mooc was postponed from earlier this summer, and then got off to a rocky start when it opened with no content. Some of us started chatting on the message boards – several of us used various contact modalities to alert edX, and the course staff, of the problem – and one of the things that caught my attention was the Yale OCW. I should’ve realized it was there; I’ve gone through several of their OCWs on literature and philosophy. But there’s nothing but video lectures for OCWs, so I hoped the mooc would offer more.

As it turned out, the mooc was a broad overview of the major themes and techniques, consisting of a total of about 2 hours of videos in 15-minute stints. The additional work included annotating the poem for specific features (highlight indications it is an Epic, that Satan is a hero in the opening books, etc). This required using an annotation package that afforded the opportunity to see others’ annotations. I hate this sort of thing, so I skipped it. The other coursework was mandatory discussion posts, which I also skipped.

Since “check the box to get credit for having done the assignment” was the only means for grading, I could have, if I were a cheater, gotten an A. But I’m not a cheater, so I finished the course with a grade of… 0. Still, the lectures were worth listening to, as a way of orienting myself to the poem.

Then I headed for Yale.

Everything in an OCW depends on the lecturer; some people will find one person great, others will find the same prof boring or hard to listen to or whatever. I was very pleased with this. It was far more in-depth, as of course it would be, since there were 24 lectures each about 50 minutes. Transcripts were available for all lectures as well.

The course covered more than PL, which is one reason there was so much more material. Milton’s major writings were included, showing his development over time and his artistic and political leanings. The course emphasized how his biography was evident in his work, from his attitudes towards marriage and the Church to his political beliefs. Spoiler alert: dude was a bit of a radical. In fact, an extreme radical, since he called for beheading King Charles I, which eventually happened in the English Civil War. And, oh yeah, he had daddy issues, one of the recurrent phrases in Overly Sarcastic Production’s very sarcastic (and irreverent, and hilarious, but not inaccurate) video interpretation of the poem.

While the Dartmouth course was general and presented a standard Academy view of the poem, the Yale course offered a more detailed look, indicating where consensus existed and where various scholars, including the professor, had differing views.

I confess that while I read/listened to the shorter poems and PL, I did not read Paradise Regained or Samson Agonistes other than the sections quoted in the lectures. And obviously, I didn’t do any written coursework. A copy of the midterm and final were provided; they consisted of short quotes for identification and explanation of significance. A set of paper topics was also available, interesting to see, and do some brief consideration of a few of them.

I’m very glad to have had some guidance with this poem. I tried to tackle it back in February, but I found it nearly incomprehensible, even more so than the English translation of Dante I worked on a few years ago. Some things, I just need more help with, and I’m grateful these courses are available.

Temple, Tabernacle and Medicine: a pair of medieval Jewish manuscript mini-moocs

Courses:
1) The Tabernacle in Word & Image: An Italian Jewish Manuscript Revealed
and
2) The History of Medieval Medicine through Jewish Manuscripts
Length: self-paced, each takes about 2 hours total
School/platform: Penn/edX
Instructors: Alessandro Guetta, Y. Tzvi Langermann
Quote:

1) This mini-course introduces the use of early modern manuscripts for intellectual history—that is, the history of how ideas and the communication of those ideas changes over time…. explore this manuscript, its editions, and how it opens a window into Italian Jewish intellectual life only possible by attention to the physical manuscript
2) This mini-course is a general introduction to both to medieval medicine and to the value of using manuscripts…. [Professor Y. Tzvi Langermann] will not only walk the student through the basics of medical knowledge training and practice in the Jewish Middle Ages and beyond, but he will also show how clues gleaned from the particular elements of a manuscript (such as marginal notes, mistakes, and handwriting) allow us to learn a great deal that we could not have gleaned from a pristine printed version.
(both) No previous knowledge of Jewish history, intellectual history, or manuscript studies is required.

Short version: a terrific pair of lectures for anyone interested in what historians can learn from manuscripts, or medieval Jewish history, science, and culture.

These two mini-moocs aren’t so much courses as they are highly focused single lectures, a little over an hour each, on specific documents and how they reveal not just the content of the documents, but the history and norms of the time. That may sound a bit abstract, but the details explored are fascinating: everything from the interrelations of various cultures in the late medieval period, to linguistic differences, to attitudes towards religious practice.

The first mooc examines a pair of manuscripts describing the Second Temple in Jerusalem, and the Tabernacle (a temporary and portable version used before the Temple was built, particularly during the forty years the Hebrews wandered around the Sinai). The second mooc looks at a codex with three different manuscripts on medieval medical practices, and uses these as a way to trace the flow of ideas from Galen to the Islamicate to Europe.

Now, granted, these aren’t “oooh, pretty” manuscripts, the illuminated gospels and breviaries lettered in precise calligraphy. These manuscripts are far more about content than style. But, when examined and described by those who know what to look for, they turn out to be just as interesting as those with artistic flourishes.

Both professors are historians – one of intellectual history, one of medicine – so the focus was on what the manuscripts can tell us about those areas. It isn’t a matter of “in this year so-and-so did this” but a more general history, both in terms of time and scope. For example, as the Talmud had been banned in Italy and bootleg fragments were only intermittently available, different excerpts were added to various versions of the Temple manuscript. While the medical texts list drugs, they do so in Arabic and Hebrew, so marginal notes and end-page glossaries include local dialect vocabularies for practitioners who need to buy these substances from Italian vendors.

One of my favorite segments explored the purpose of documenting the physical appearance of the Temple. The work was an attempt to synthesize a variety of sources into a single description. But why? Prof. Guetta offers three possible factors: the development of “a historical mentality”; a growing awareness of dimensional perspective due to the constant exposure to flourishing Italian architecture of the period, and a reevaluation of the textual description of the Temple in light of that development; or a religious motivation, coming primarily from a specific Protestant group that was more interested in the accurate reconstruction of the Temple as a way to bring about the Second Coming.

I also have to give al-Majusi, a Persian physician, the Bad Timing Award: his comprehensive and beautifully organized medical text, part of the Codex, was considered the ultimate authority, until the renowned physician/philosopher Avicenna came along and wrote an even better text, overshadowing Majusi’s work and pushing him into relative historic obscurity.

These mini-moocs are listed as an advanced course based on predicted audience, but that shouldn’t intimidate anyone who’s interested; the material is very accessible, and all technical and cultural concepts are explained. The medical course is archived at the moment, so the forums are inactive, but all the other material is available. Both lectures are great; the Tabernacle course is slightly more polished, with an artistic lead-in to the videos and varying camera angles, but that’s pretty minor. The lectures are well-organized into specific topics, and images of pertinent sections of the manuscript are embedded in the videos. Links to the complete digitized manuscripts from the Penn collection are hard to find, but they’re there (check the Syllabus).

Grading is based on a few multiple choice questions following each part of the lecture, plus a final covering the basics. Although the forums are inactive for the medical course, the Tabernacle course TA is very helpful and promptly replied to questions and comments. The forums are not terribly active; I’m guessing enrollment is sparse, partly because it’s a niche humanities course in a world obsessed with vocational training, and partly because it wasn’t well-publicized. I stumbled across it by happy accident, in fact.

I almost missed these offerings entirely. edX hasn’t publicized the current Tabernacle course at all (I saw it on a tweet by Class Central), and it was only through the Syllabus that I learned about the Jewish Medicine course. That’s a shame, since they’re terrific. I’ve been a bit of a snob about mini-moocs (I’ve called them “Youtube plus a quiz”) but I have to re-think that. For anyone interested in Jewish cultural history, medieval medicine, or manuscript studies, these are tiny little gems.

Demons and angels and gods, oh my! mooc

Course: Oriental Beliefs: Between Reason and Traditions
Length: self-paced; 8 weeks, 2-3 hrs/wk
School/platform: Université catholique de Louvain (Belgium)/edX
Instructor: ~24 instructors
Quote:

This course takes a journey through the world of beliefs as they have developed in a great variety of cultures, ranging from Ancient Egypt, the Near East to Central Asia, India, China, and the Far East. We will discuss where these beliefs, theories and practices originated from, how they were passed on over the ages and why some are still so central to large communities of believers across the world today, whether it be amongst Jews, Christians, Muslims, Buddhists or Shintoists.
We’ll be dealing with everything from gods and spirits, to angels and demons, to afterlife and the netherworld, as well as the great cycles of the universe and the tremendous power of lunar and solar eclipses. The interpretation of dreams and all sorts of magic and miraculous deeds will also be covered during this course.

Short version: Enjoyable survey course, covering a broad range of interesting topics with a couple of deeper dives towards the end.

I’ve said several times in the past that I tend to have trouble with survey courses, that I prefer depth to breadth. Still, while there were a few “catalog lectures” early on (this god does that, this demon does the other thing), I found many of the units quite interesting – and last three weeks were great.

It’s self-paced, with all material available at the outset. I completed it in about four weeks. The course twitter account sent messages once a week about the course and some of the material covered.

The first week opened with the usual introduction, including geographic and thematic scope and a word about interdisciplinary methods used. I was relieved to find the elephant in the room – the word “Oriental” in the title, which to me felt like fingernails scratching on a blackboard – was addressed in these introductory lessons, with an acknowledgement of the critique leveled in the Edward Said book which tarnished that word for some of us.

However it should be clear that where universities still have “Oriental Studies” as an administrative department of teaching and/or research, such as the Université catholique de Louvain, it has absolutely nothing to do with a lack of sensitivity with regard to the problem just alluded to, and even less to do with a neo-colonial attitude towards the languages and cultures under scrutiny. Instead, the survival of such departments should be understood almost entirely in terms of institutional politics, numbers of students, and budgetary considerations.
While acknowledging the historical fact that Oriental Studies as a discipline originated in these universities in times when an ethnocentric approach was a norm unchallenged by anyone, the “Oriental Beliefs” team is fully aware of the global nature of its audience and we have done our utmost to avoid any kind of “Eurocentrism”, bias or prejudice.

The material was arranged, not by culture or region as might be expected, but by topic: a week on gods, another on angels and demons, then the afterlife, astrology, and magic. I would guess the idea is to get a cross-cultural perspective on these themes. Astrology and alchemy, where so much material was passed via translations and adaptations, was particularly rich in this. I was a bit surprised gods, angels, and demons weren’t explicitly connected across cultures (the nature theme, for example), since it seemed to me there were obvious similarities and differences. I probably should have been more active on the forums to discuss these.

The roster of 24 different lecturers allowed for a great deal of diversity in what was covered and how it was presented. This approach comes with advantages and disadvantages: there’s a loss of connection, since there’s no one instructor (some of us have attachment issues, y’know?), but it also allows different approaches. I had several favorites; whether it was the material, or the presentation, I can’t be sure (that would be a cool research project for mooc learning, by the way). I found the lectures on Buddhism to be nearly incomprehensible (I stuck with my interpretation – Buddha was an agnostic who incorporated Hindu gods as a marketing tool – and moved on), but 23 out of 24 is still excellent any way you cut it.

The graded material consisted of brief quizzes (“training exercises”) at the end of some units, about five per week. Most of the questions were multiple choice; a few were matching or short-answer, one was a self-graded short-answer essay. The final exam counted for 60% of the grade; it covered all seven weeks of material, so I was very glad I used Cerego as a study aid for this course, as I was refreshing my memory on earlier material all along. The material isn’t hard, it’s just that there are a lot of different parts that interrelate, and it’s easy to get them confused.

I greatly enjoyed, somewhat to my surprise, the material on astrology and astronomy, magic, and alchemy, and, even more surprisingly, sorting out the Egyptian gods and theogony (I’ve always been distinctly uninterested in ancient Egypt, but it seems there was a way to intrigue even me). I also found the centuries-long ever-evolving story of the acheiropoieton, the miraculous portrait of Jesus “not painted by human hands”, to be of great interest. I also loved the last week, a more in-depth case study of another continuing saga of a miracle, this one from Coptic Egypt involving the moving of a mountain. Manuscripts got into the act, and, well, manuscripts, what else can I say. I feel like I finally have some understanding of Copts beyond “Egyptian Christians.” That, to me, is the real value of these types of courses: we feel more connected to places we’ll probably never go, places like the Muqattam area of Cairo, Ise in Japan, Armenia, and Georgia. These days, we need all the connection we can get.

It’s a class well worth taking for a broad overview, and a brief glimpse into what more in-depth work might involve, hinted at in the introductory remarks: “Most of the time, in fact, you will be implicitly exposed to methodologies deriving from a variety of fields, including archaeology, history in general, the history of ideas, the history of religions, the history of literature, and the branch of philology called textual criticism or (in a larger sense), textual scholarship.” Oooh, now there’s a mooc I want to take! We got a glimpse of this during the last two weeks, in the tracing of the miraculous portrait and the moving of the mountain. I hope to discover more along those lines in future moocs.

Human Rights Philosophy and Theory mooc

Course: Human Rights Theory and Philosophy
Length: 12 weeks, 8-10 hrs/wk
School/platform: Curtin University (Australia)/edX
Instructor: Dr. Caroline Fleay et al
Quote:

The course commences through exploring the development of the conventional understanding of universal human rights and then moves to critiquing this concept from cultural relativist, postmodern, postcolonial and feminist perspectives. It also examines understandings of human rights from a range of cultural and religious perspectives as well as other contemporary rights issues.

Note: it seems this course is no longer available through edX.

Last year, after completing two of the Louvain international law courses, I started their Human Rights mooc; I dropped it quickly because I was exhausted from all the legal reading I’d been doing. So I was very glad this course came along, a more philosophy-based approach to human rights. While the legalese was greatly reduced, it was a course that took itself seriously, possibly because it’s part of a MicroMasters program Curtin offers in Human Rights. When taken as a Verified (i.e., paying) student, can be used to apply for admission to the degree program (as well as, I believe, earning credit in that Masters program, but check the details for yourself).

Each of the 13 weekly lessons consisted of two or three academic papers, and about 45 minutes of lecture divided into two videos. The videos were mostly voice-overs covering prepared slides (available as a separate download). You could read the transcripts, download the slides, and read the articles without watching the videos at all. The lectures were well-organized and followed the slides very closely.

Grading material took two forms: discussion board posts, which counted for 20%, and two peer assessed essays, which were 30% and 50% each. Verified students had their essays graded by the ad hoc mooc professor who also covered the discussion board. The assignments were very general – basically, sum up some part of the lectures for the period covered – yet the criteria were very specific. Sample essays were provided.

As I said, this course takes itself seriously, and the assignments reflected that: I flunked both essays. That’s not a complaint; because I was taking the course for my own purposes, I wrote about what interested me rather than worrying about criteria. In a less serious course, that sometimes works, but here, not a chance. Be forewarned if you want to take it for credit or as a path to admission: take the sample essays seriously. By the way, though I fell below the 70% pass mark on both essays, the discussion points brought me just barely up to snuff in the end. Be mindful, though, that to use the course as admissions criteria, a higher score is required (80%, I believe).

Week 1 started with a general look at human rights. Week 2 got into Locke, Hobbes, Marx, and all of the usual suspects (I’ve taken several political philosophy OCWs and the same crew always shows up), negative and positive rights. Mary Wollstonecraft was included, which was nice, since all lectures included the caveat that rights, as declared by the “classic liberals”, were for white property-owning men only (Jeet Heer would approve). In Week 3 the process of drafting and approving the UN Declaration on Human Rights was covered, along with its major provisions.

Then we moved into some critiques of the UDHR: particularly from the postmodern, postcolonial, and non-Western views. This was an eye-opening part of the course for me, and while I loved the review of early philosophy, I found weeks 4, 5, and 6 most valuable in terms of ideas new to me. Weeks 7 plus looked at critiques of the Western HR narrative from various points of view: indigenous populations, feminists, LGBTQ activists, the disabled, asylum seekers, and environmental activists.

All of these held interesting material. For example, the indigenous section was taught by Carol Dowling, a professor of aboriginal descent whose twin sister Julie is an artist painting pieces that the experience of the Australian aboriginal peoples and their family specifically. The section on rights for the Disabled included a TED talk by journalist/teacher/comedian Stella Young, who I’ve seen before in several venues; she passed away in 2014. The week on asylum seekers and refugees was heart-wrenching, given the frustration level I and so many Americans feel about our current administration’s refusal to provide more assistance.

I found it a valuable course; the ideas are very much worth understanding. It was, however, a lot more academic and less companionable than some moocs, and may not be the best starting point for some. I’ve often mentioned moocs that boiled down to “Youtube and a quiz”; this was more like “a podcast and two hours of reading you sum up for academic credit.” I wonder if that’s because it has to take itself seriously, in order to be taken seriously by academia; and I wonder if that’s a paradigm that can be changed to broaden the field.

Intro to Kabbalah MOOC

Course: Introduction to Kabbalah
Length: 5 weeks, 3-5 hrs/wk
School/platform: IsraelX/edX
Instructor: Boaz Huss, Yoed Kadary
Quote:

This course will introduce you to the major ideas and practices of the Kabbalah from an academic point of view.
The course will examine basic Kabbalistic themes such as the theory of the Sefirot, ecstatic and prophetic Kabbalistic techniques, reincarnation, demonology, and practical Kabbalah. It will introduce major Kabbalistic works and movements, including the Sefer ha-Zohar, Lurianic Kabbalah, Hasidism, and the contemporary revival of popular Kabbalah….
The aim of this course is to introduce students with no background in Kabbalah or Jewish thought to the major ideas and practices of the Kabbalah in their historical and cultural settings. The ideas are presented in an accessible manner without jeopardizing the course’s academic rigor.

[This mooc seems to have been removed from the edX system]

I skipped my usual preview-of-coming-attractions post this quarter, partly because a lot of classes seem to pop up all of a sudden without a long lead time. Like this one: I found out about it via an edX email days before the course started. It was a subject that interested me, so sure, I’ll play.

I’ve been aware of Kabbalah for decades, both from its mention in popular books and movies to reading a bit more about it in general-readership books on Judaism, like The Jewish Book of Why, but I never knew any of the details, or why some Jews studied it and others didn’t. Then the Beautiful People (aka Madonna) started doing Kabbalah and felt kind of pissed off, that it was being turned into something more like Scientology than something a yeshiva bocher might want to learn when he finished the Talmud. Turns out there are different kinds of Kabbalah, and some have little or nothing to do with Judaism – or religion, or philosophy – at all.

The first few weeks of the course covered the basic components of Kabbalah: the structure of the divine, how the Sefirot came into being, and how all the parts of the divine structure interacted with other parts and with humanity. This was kept academic, as promised; there were mentions of specific practices that could be involved, but they were only general descriptions. Then we moved into a more historical survey of the different schools of Kabbalah that sprang up in the late medieval period, the Renaissance, and in the modern period, as well as contemporary approaches to Kabbalah which move away from contemplation of the nature of the divine into more of a focus on self-help.

The basic theology of it all is fascinating, as was the history of the development of different Kabbalistic practices under different leaders in different times. A fair amount of the terminology was in Hebrew (in Roman orthography; no, we didn’t have to learn to read Hebrew, that would’ve been insane). It took some time and some effort, but now terms like Sefirot, Zohar, zimzum, and En-Sof kind of roll right off my tongue. Cerego was again very helpful.

Each week included a set of lecture videos, each one followed by a short quiz, and a Reading exercise in which a passage studied in the lecture was presented with multiple choice questions. A truly comprehensive final exam finished out the course, another reason I was glad I’d used Cerego, as I was still getting relevant material daily. The first six lessons were released two per week, which was a pretty brisk pace, but the remainder over Christmas holidays released once per week which was a lot more relaxed.

I greatly enjoyed the course, and would recommend it to anyone interested in learning something about the underpinnings of Kabbalah, rather than a specific practice; even at the basic levels, it’s a fascinating subject. As a neophyte I found it well-designed for beginners, with enough repetition and visual reinforcement to help with learning the necessary terms and concepts.

Design MOOC


Course: Design Theory
Length: 6 weeks, 3-4 hrs/wk
School/platform: IsraelX/edx
Instructor: Various
Quote:

The first of its kind, this course is a pioneering exploration of theories of design theory. Much of the way we interact as a society springs from design and is influenced by it.
The course offers an in‐depth exposition of prime concepts in contemporary design theory. It looks to ask and answer questions such as: What is design? How is design related to the histories of culture, economics, and the arts? What is the role of design? What is the responsibility of the designer? What is creativity and how its use in design propels the development industry and technology? How is design related to contemporary markets and industries?

I have a notoriously hard time with courses that focus on creating visual presentations, either artistic or informational. So I approached this with some trepidation. But with a couple of exceptions, this isn’t a design course; it’s a philosophy course. In fact, the final wrap-up video used Paola Antonelli’s term “interior philosophers.” That’s fine by me.

The first lecture of each week tended to be very abstract and theoretical. As in:

However, formalism classifies design as primarily an aesthetic phenomenon. It considers design as part of the aesthetics domain of reality, which accordingly should be analyzed as such. The Design Object, according to formalist philosophy of design, is mainly an aesthetic object, whose essence is an aesthetic form. Its essence is its composition and appearance, the rightness of its structure, and the way its elements are combined and related to each other. In that respect, formalism is a materialist classification of design.

~~ Lecture, Week 1

Even though philosophy is, theoretically, my comfort zone, this required some parsing. As the week moved on and more concrete examples came into play, the first lecture of the week would become more relevant. I was often surprised – pleasantly! – at the directions some of the initial lectures took. Though I might not have been sure at a few points along the road, in the end I enjoyed this course. And I think I learned something – even though art, like math, often seems like something I just never quite understand.

Some highlights:

• An interview with Professor Yarom Vardimon on his earliest artistic influences, and his work on such projects as the 50th anniversary of Yad Vashem (how do you design a celebration that the word “anniversary” implies, with the events commemorated?) and a children’s hospital: colorful lights, toy shapes lining the corridors with names of donors, a bright and open entrance. Always present in his approach was his own experience.

 

• Design as a way of reinforcing, or challenging, social norms and expectations. This ranged from toys (which can restrict play to what is expected by the designer, and is reflected in the parent’s choice of the toy, or can allow creativity to use the toy in unexpected ways) to water bottles, which we evaluated on various criteria (turns out, I was on board with masculine and feminine, but I seem to have no idea what erotic, expensive, cheap, or comfortable look like).

 

• Design not only communicates from designer to user, but from user to society. Eyeglasses have become fashionable, conveying less of “something’s wrong with his eyes” to “wow, she must be smart” or “those glasses are awesome”; why not other assistive devices? Why can’t walkers and wheelchairs come in colors, to make them look like fun gizmos instead of something old people use? Prosthetic leg coverings are available in superhero styles; eye patches can be decorated.

 

• Harvard mathematician George David Birkhoff came up with ways to quantify aesthetics, both visual and linguistic. I have a lot of knee-jerk issues with this, but it’s an intriguing idea. For all our protestations that aesthetics is separate from rationality, it might not be quite so cut-and-dried (no, do NOT tell me about the golden mean and the Parthenon, I’ve been successfully inoculated against that by the best mathematicians around).

 

• Philosopher Walter Benjamin. What made this a highlight of the course was the purely coincidental and near-simultaneous appearance of a short story I was reading from the Pushcart Prize volume that rather overtly used Walter Benjamin’s aesthetic theories (and Hegel’s, though he didn’t show up in the course). There’s a reason I keep taking these courses. When I run across simulacra and grey-eyed goddesses in short stories, I have some idea what to make of them.

 
In addition to lecture videos, the course used a variety of participatory materials. Each week, a poll question started things off, a sort of priming mechanism that touched upon some aspect of the concepts to be covered. Short quizzes followed lecture sequences. Activities like the water bottle evaluation, and associated discussion questions, also contributed grades. The final week included a quiz that turned out to be a comprehensive final exam; I was a bit taken by surprise since it was embedded in the week 6 material (it was labeled “Final Exam” so I need to pay better attention). It was somewhat more difficult than the shorter weekly quizzes sometimes requiring making fine distinctions between elements of a theory, but once my pulse rate went down I found it to be an excellent summary of the material.

For me, the course was a great success. I was worried that, because I’m not in the field of design and am hampered by my art-blindness, I wasn’t “getting it”, but the final video, a casual discussion amongst three of the instructors, reassured me:

You know what I would like? That people who were finishing this class, this course, that maybe they go outside now to the world and start looking at those signs, and cars, and buildings, and spaces, and suddenly start thinking about what meaning they have in their lives, and how they are interacting with all these environments in a very interesting way, in a very intense way, something that maybe was a natural thing, transparent almost. It suddenly becomes more visible.
And more reliable. So also understanding that the objects that we use are not separate from us, and the technologies that we use are not separate from the way that we think of ourselves. And they actually in many ways construct our psychology and our self-perception as human beings, as we saw, and as individuals. So it’s extremely important that we understand what actually constructs our identity, if we are to preserve any type of agency, in a world that is technologically enhanced.

Turns out, I got it just fine. In fact, this extends my prior interest in advertising imagery to pretty much everything constructed by people: why was it made the way it was made? What is it trying to tell me? Do I have to listen? Do I want to? I can’t tell if I don’t hear it in the first place, and this course is an excellent way to start hearing what objects are saying.

Global History of Architecture mooc

Course: A Global History of Architecture
Length: 12 weeks, 8 hrs/wk
School/platform: MIT/edX
Instructor: Mark Jarzombek
Quote:

How do we understand architecture? One way of answering this question is by looking through the lens of history, beginning with First Societies and extending to the 16th century. This course in architectural history is not intended as a linear narrative, but rather aims to provide a more global view, by focusing on different architectural “moments”….
…Why study the history of architecture? Architecture stages cultural dramas. Buildings, in that sense, are active, designed to do something. Different buildings activate their surroundings in different ways. We go to history to see how these experiments were done.

To call this course “The History of Architecture” does it a disservice, since it’s a history of so much more – of cultures, religions, trade and commerce, and, as we go from the first indications of human modifications of the environment, from the 70,000-year-old ochre and beads of Blombos Cave in South Africa, to the pre-Holocene peoples of Europe, Asia, and the Pacific Rim, through the Bronze and Iron ages to Classical civilizations, across the innovations of Chinese, Indian, and Middle Eastern peoples reaching the European Gothic and Renaissance periods via trade, to the exploitation of New World peoples by Old World commerce, the history of our brilliance, our goodness, our stupidity and cruelty, our human-ness. It’s really quite amazing, how much is packed into these twelve weeks.

I’ll admit, I was a bit confused at first – I never expected lemurs to lead off an architecture course – and I wondered if it had simply been mistitled, and should be Archeology or Anthropology. But that was ok, too, it was interesting whatever it was, and eventually I caught on to the point: our skyscrapers, our political systems, our religious belief and the way we furnish our houses, all that proceeded from that paleolithic cave. Somewhere in the last four weeks, the quote above about cultural dramas and activating surroundings appeared, and I fully realized the value of this approach. I do think an introductory video would be a big help, however.

I’m beginning to understand that the term “architecture” encompasses more than buildings. The arrangement of places for various activities – sleeping, eating, burials, ceremonies – was prevalent in some of the early discussions of First Societies, the earliest examples of people living in groups, today exemplified by the !Kung (or San: yes, like the guy from The Gods Must Be Crazy). Yet many of their customs are still with us: eating together, forming circles, rituals for coming of age and hunting (or, as we’d put it, going to work). Prof. Jarzombek is a specialist in First Societies, so we spent a fair amount of time with the Gravettians and the Magdalenians, noting the differences between the two.

I’ve taken world history courses that didn’t cover history as well as this course, in terms of the big picture. Where were the most active population centers, and why? What beliefs, available materials, and situational needs motivated the culture and thus the architectures? Climate changes and environmental upheaval such as earthquakes changed trade routes, motivated invasions and migrations, and offered or shut down trade. It was all fascinating, one long story of people moving around, adapting to new conditions. Yet some major world history events were ignored: The Crusades, for example, are not mentioned. Sometimes the timeline got a little blurred, since there was necessarily some back-and-forth as the focus switched geographical areas (and I assume there’s a “Part 2” course that picks up where we left off, but that hasn’t made it to moocland yet). I felt like I understood the general flow of human history much better by the end of this course, and once I got used to the presentation style (it took a couple of weeks), I had a great time.

And then of course there were buildings, plenty of buildings. Stonehenge, pyramids, Angkor Wat, the basilica of St. Peter, the Hagia Sofia and Dome of the Rock were all featured, but there was a great deal besides: the coastal villages of the Haida, the Maasai in Kenya and the Hammer in Ethiopia, Maltese cave temples, the roof-accessible houses of the early city at Çatal Hüyük (now Turkey), the city of Cahokia – the Native American metropolis that was larger than the London of its time, and remained the largest city in what is now the US until Philadelphia of the early 19th century – steppes, caves, shores, mountains, forests… well,I could go on, but you get the idea. From the adjoining square houses of Turkey, accessible only from the roof, to the amazing rock-cut temples in India, the beautiful mosques with fantastic arches and domes to Hindu and Buddhist shrines and Greek temples and Christian basilicas and Gothic cathedrals to Versailles, it was just amazing to see what people come up with no matter what their level of technology.

The final lecture was a fascinating look at buildings over time, a subject mentioned several times during the course but really brought to fruition at the end. Some buildings, like Greek and Roman temples, weren’t meant to be expanded; new buildings were added later on. The Egyptians, on the other hand, were happy to expand the temple at Karnak over the years, and the same happened with Christian churches and Muslim mosques. Buildings that were originally pagan temples became churches, mosques, synagogues as populations changed. Then we looked at issues of restoration and preservation. Interesting questions about authenticity came up. And then there’s the amazing approach of Jorge Otero-Pailos, who, among other things, removes layers of dirt from buildings using a special rubber compound, then displays those layers in sequence, in a kind of archaeology of soot. Without the course preceding this lecture, would it have affected me so deeply? I suspect not.

I’m pretty sure this was a pre-existing OCW recycled as a mooc. Sometimes this repackaging works, sometimes it doesn’t; here, I think it did, although I have to admit the content had far more to do with my enthusiasm than the presentation. The ‘live” in-class lecture approach is a bit less polished than a multiple-take video, but I still prefer it, as read-to-camera so often comes off as stilted and nervous. The professor’s enthusiasm and off-the-cuff commentary more than made up for image quality and occasionally confusing syntax.

I did have a hard time finding a good image of the professor for this post. I always try to find a snip that is representative of the course, visually interesting on its own, and reasonably flattering. In this case, where most of the videos were shot in the dark with the prof wandering in and out of projector light, I had to make some compromises, but I don’t think that sort of thing weighs heavily on anyone’s decision to take the course or not.

The lectures were basically slide shows accompanied by narratives about a period, or descriptions of the architecture under consideration.The visuals were sometimes hard to see, but most of them are available online elsewhere, with the exception of maps drawn on Google Earth scenes, which were… pretty messy, to be honest, and not intuitive. But I understand his point about maps showing current nation boundaries being useless in this context; his maps did contain useful information about migration patterns and available resources. They’re worth getting used to.

Each week includes two lectures, both about 90 minutes. They estimate 8 hours a week is required for the course; that sounds reasonable to me, though it took me longer because of the way I do things (and I’m slow). A free online textbook was provided; it’s huge, and I found it difficult to use, but I’m not that comfy with online books; someone more used to Kindles and such might find it much easier. A print version is available; it’s pricey, but if I were a freshman humanities student, I’d invest in it. For that matter, if I could find a used copy for $15, I’d buy it.

Grading was based on “homework” – a few multiple-choice questions following most of the lectures – and on four exams given at regular intervals. The homework doesn’t count for much; the exams are weighted far more heavily; view the homework as practice for the exams, and as extra credit. The exam questions are half multiple choice, half labeling or identifying; no surprises, all information retrieval, though once in a while a topic not explicitly covered in the lectures (but presumably in the text) will show up.

I found Cerego invaluable here; there was just too much stuff to remember it all without constant reinforcement. While it’s time-consuming to enter important points from each lecture into a quiz set, it serves as studying, and it was very much worth it when the exams rolled around. And it’s still nice to see the early material cropping up, reminding me of the rest of the lecture around key points. Makes me smile.

The discussion boards were very active with “official” threads for topics Staff set up; I didn’t participate so I can’t speak to the quality of discussions or staff presence. I personally dislike overdirected commentary, but it does provide structure, so it’s really a matter of preference.

I’d highly recommend the course for its broad approach and fascinating content, with the caveat that the presentation isn’t as “slick” as some courses made for moocs. I’m more than willing to make that tradeoff. I feel like I know the world better as a result of this course, and that’s as good as education gets.

The Greek Hero in 24 Hours mooc

Course: The Ancient Greek Hero

Length: 15 weeks, 5-8 hrs/wk
School/platform: Harvard/edX
Instructor: Gregory Nagy & his Board of Readers
Quote:

Explore what it means to be human today by studying what it meant to be a hero in ancient Greek times.
In this introduction to ancient Greek culture and literature, learners will experience, in English translation, some of the most beautiful works of ancient Greek literature and song-making spanning over a thousand years from the 8th century BCE through the 3rd century CE: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; dialogues of Plato, and On Heroes by Philostratus….
No previous knowledge of Greek history, literature, or language is required. This is a project for students of any age, culture, and geographic location, and its profoundly humanistic message can be easily received without previous acquaintance with Western Classical literature.

Short version: An outstanding class, focusing on thematic elements of Greek literature, particularly by use of detailed examination of language. It’s a massive class in length, depth, and complexity, but it’s one of those “if you get half of it, you’ve accomplished a lot” things.

The course was set up as a series of “hours”; in most weeks, two of these hours were covered. The presentations varied: often, Prof. Nagy would discuss some element with a student, postdoc, or fellow professor, each of whom might have different specialities. In the early weeks, outside materials were covered frequently: films (several Blade Runner clips in particular– “Like tears in rain. Time to die” – were discussed in detail), ballet, songs and rituals from a variety of cultures – Maori, Slavic, Korean, Ethiopian – and more contemporary literature, showing how elements of Greek song culture persists today.

Each hour focused on eight to fifteen core passages, often from several works, using one or two Greek words as a basis for the thematic topic: kleos, akhos/penthos, therapon, sema, psūkhē, dikē, and so on. These words and the intricacies of their meanings in different contexts and eras formed a backbone around which the discussion grew. From there things mushroomed into a huge treasure chest of philosophy, history, artistic interpretation, linguistics, and literary theory. It’s quite an experience, but one I find hard to describe from outside the course.

For example, in the early weeks we covered Achilles’ decision-making process on whether to return to Greece or continue fighting. His mother told him if he left, he would live a long, safe, unheralded life, but if he stayed, he would die but would receive glory (kleos) forever – which has special resonance since we’re reading these words written a few thousand years ago, recited hundreds of years before that. Then, in one of the last hours, we see Plato rewrite Achilles so his decision is not based on a desire for fame but on justice. Is this legal? What does it mean, to edit the story this way?

The materials insist the class is suitable, even intended, for those without any prior exposure to ancient Greek literature. It’s absurd for me to second-guess these guys – the course has been part of the Harvard curriculum for decades (one of my mooc buddies took it when she was an undergrad there), it was one of the earliest moocs on edX, and hell, even Oprah took it, or at least took parts of it, since she mentioned it in the 2013 commencement speech she delivered at Harvard – but I wouldn’t have wanted it to have been my first classics course. The focus is not on plot or traditional interpretation – you’re expected to read the works and get that on your own – but on how heroic elements are conveyed and how these run through different genres and ages of literature.

While there’s a wealth of material on all of the covered works (I found The Rugged Pyrrhus to be useful for brief traditional summaries, while Overly Sarcastic Productions is the Mad Magazine of hilarious classics/history interpretation) I’m not sure I could’ve done all the work required if I hadn’t already taken coursework on these plays and poems. Actually, I am sure: I’d never read the entire Iliad as a single work before (and still haven’t read the Catalog of Ships or the details of most of the battles, though a lot of that was covered in the class) and it was an intense four weeks; sustaining that for 14 weeks would’ve been absurd. But, everyone’s different.

Graded material was minimal: a few multiple choice questions and a set of text-interpretation questions at the end of each hour. The questions were surprisingly difficult, with subtle shades of meaning or levels of detail frequently distinguishing one answer from another. Or maybe I’m just stupid; although I “passed”, I did fairly poorly on the graded material, and often felt perplexed as to why. But since my purpose has nothing to do with grades, I did the best I could to understand what was being asked, versus what I thought was required.

Also part of the grading was the discussion forum. I really hate forced discussions, so I skipped this entirely. For this class, discussion was held on an outside site which required separate login permission. At the time I started, I was kind of annoyed by this, as well as by the requirement to post; I’ve signed up for these in other courses, and it annoys me to have so many logins and hand out my email to so many systems I’m only going to use once (and makes me a little nervous in this time of electronic insecurity). So I didn’t request a login/password. I came to regret that about halfway through since I found I had questions and observations I would have liked to have shared. Every week a status email would introduce the new material and give a link for obtaining the necessary permissions, so I could have changed my mind at any point, but I didn’t.

I used Cerego as a study aid, creating a “memory set” for the course, and I’m quite glad I did. It was useful during the course itself, to keep track of words and concepts and characters (who was Eëtion again, what does lugros mean?) since there was so much to remember, but it’s also nice to have it as a reminder afterwards, to retain more than I otherwise would have. And it’s fun to be reminded of things down the road, when the timed recall goes to weeks and then months.

A free textbook is part of the course; this can be downloaded as a PDF or purchased as an e-book, or just read online. It includes significant introductory details on the video material; I found that I had a much better grasp of things when I spent the time to go through the text before the videos, than when I skipped it for lack of time. Many of the quiz questions I found puzzling were, in fact, in this introductory material, though it took an embarrassingly long time to realize that: details of motivations and deeper levels of interpretation. It’s fascinating reading.

Our project is about heroes— not the way we may understand them when we first hear the word, but the way the ancient Greeks understood them in the context of ancient Greek civilization. I’m arguing that if you understand what the ancient Greek hero is, you simultaneously will understand far better what ancient Greek civilization is….
And I guarantee you, if you get through especially the Iliad and the Odyssey and the seven tragedies and the two dialogues of Plato, you will really feel the way Herodotus says you should feel: that you’ve had a civilizing experience.
…we’re trying to do it all at once in translation, with key words embedded in the translation so that you don’t get tempted to read into the text. You keep reading out of the text, because these key words are some of the basic words of Greek civilization. I can go away saying that you, if you participated in this, you are civilized by the standards of ancient Greek civilization. We are essentially making an attempt to engage with all of Greek civilization, even if we start with specific things that we hope will inspire people to go even further.

~ Prof. Gregory Nagy

I think of this course as “Modpo for classics” – a kind of “spend as much time as you have” thing, where you can probably zip through it and get the basics (the key points are repeated many times), or you can spend all your free time exploring depths and asides. And, it’s apparently a course a lot of people take more than once, just to get more out of it.

I knew about this a couple of years ago, but I didn’t want to bother with the Iliad; to me, it was all about battles and war. I’m very glad that I now understand it’s about far more than that.

Justice MOOC

Course: Justice
Length: 12 weeks, 2-4 hrs/wk (self-paced, open 6 months)
School/platform: Harvard via edX
Instructor: Michael J. Sandel
Quote:

Justice explores critical analysis of classical and contemporary theories of justice, including discussion of present-day applications.…The course invites learners to subject their own views on these controversies to critical examination.
The principal readings for the course are texts by Aristotle, John Locke, Immanuel Kant, John Stuart Mill, and John Rawls. Other assigned readings include writings by contemporary philosophers, court cases, and articles about political controversies that raise philosophical questions.
What you’ll learn
• The fundamentals of political philosophy
• An understanding of social justice and criminal justice, and the roles they play in the modern justice system
• A deeper sense of the philosophy that underlies modern issues such as affirmative action, same sex marriage, and equality
• The ability to better articulate and evaluate philosophical arguments and ask philosophical questions

Back in the late 80s, PBS ran a series called “Ethics in America” led by a Harvard law school professor. He’d present a fairly straightforward situation to a panel made up of a variety of professionals – former government officials, educators, lawyers, doctors, journalists, it varied depending on the theme of the week – and ask, “What would you do, and why?” Then he’d complicate the situation, and complicate it again in a different way and see if the person still felt the action was the best course. Something like Socrates’ use of elenchus, I believe.

Michael Sandel has been teaching the Justice course at Harvard, the basis for this mooc, for thirty years, and it operates along the same lines as the PBS series. There may well be some organic connection, given the timing and similarity.

I remember watching the series as ethical principles were edited, sometimes abandoned. Sometimes it was because, they’d admit, they simply weren’t up to what their ethical belief required of them. But my take-away was that no one system of ethics works 100% of the time, that we mostly operate in a kind of ethical relativism (oh, that dirty word), evaluating each situation and determining priorities of principles. Funny thing is, just within the past few years I’ve been learning a lot about Jonathan Haidt and system 1/system 2 decision making: the theory is, we make decisions, including ethical decisions, almost instantaneously by gut instinct, then search for a logical reason to defend those decisions. I kept that in mind as I worked through the course.

Sandel’s book Justice: What’s the Right Thing to Do is an optional companion volume to the mooc; several chapters are included in the online readings. I’ve ordered it, just to have everything in one place.

I took a different approach to this course: because it was evident it was a back-and-forth discussion live-taped with a (very large) in-person class, I decided to forego my usual saving of video transcripts and readings. I just winged it. I’ve taken just about every philosophy course offered by both Coursera and edX, as well as a couple of Yale OCWs on political philosophy, so the material presented was familiar. A hypothetical case served as a starting point for discovering the limits of utilitarianism, libertarianism, and all the other -isms.

I heard a new context for Locke’s property rights in relation to the appropriation of native American land by colonial, and later, American, forces; I got a better understanding of Kant’s Categorical Imperative; and even though I will forever mis-refer to John Rawls as Lou Rawls (I just will; yes, I know the difference between the philosopher and the musician, so shut up) I’m glad I got more opportunity to look at his ideas beyond the veil of ignorance.

Each of the mooc’s 24 modules began with a Moral Dilemma poll (with a few exceptions), followed by a half-hour live-taped class session with 1000 students in the beautiful Sanders Hall. But don’t let the number put you off: the sessions have a remarkably intimate feel, as individual students answer “What would you do” questions and defend their choices, sometimes using philosophical language, sometimes just speaking off the cuff and allowing Sandel to guide them to a more formal statement of guiding principle. He asks the name of every student, and seems to remember it later on. Differences are viewed less as arguments than as multiple ways of approaching an issue. It’s really quite something to watch.

In terms of grades, the multiple-choice final exam is extra-weighted (70%). Unit quizzes and the Moral Dilemma polls make up the rest. The polls are graded on participation only; a situation is presented, and a choice between two or three options is allowed, along with a chance to write as much or as little as you like to defend your choice, and a chance to change your mind upon reading other opinions. I’d be very curious to know how many people changed their position; I suspect more than a few changed their rationale (I did several times, since others worded it more clearly) but I don’t think I changed sides at all. This in itself led to some self-reflection: am I closed to other ideas, or have I simply thought things through carefully?

For me, grades had little to do with this. I considered it a highly successful class, albeit one I zipped through, partly because it was so enjoyable, and partly because I was comfortable with the territory. I’m going to enjoy revisiting it all when I read the book.

The Great War: Philosophy MOOC

Course: The Great War and Modern Philosophy
Length: 8 weeks
School/platform: KULeuven/edX
Instructor: Nicolas de Warren
Quote:

In the celebrated words of the American diplomat George Kennan, the First World War was the ‘original catastrophe of the 20th century’, a catastrophe that, arguably, left no aspect of European civilization unchanged. But in what sense was the First World War the original catastrophe of modern philosophy, of philosophy in the twentieth century?
One of the most remarkable aspects of the war is the way in which philosophers in various belligerent nations felt the need to speak about the war, to address the war in philosophical terms. There was a sense in which something was philosophically at stake in the war which required philosophers to mobilize their concepts and arguments towards this understanding.
In this course, we’re interested in pursuing different ways in which philosophers during the First World War responded and thought about the war.

On April 2, 1917, the United States entered WWI with a declaration of war against Germany. My local historical society is just wrapping up an exhibit on the impact of the war in Maine, so I’ve been seeing posters and documents displayed in the windows nearly every day as I walk down Congress Street. The timing of this course coincides with the anniversary, but this was its second run; the first was almost two years ago.

I have mixed feelings about the course. On the plus side, I encountered a huge swath of philosophy from thinkers I hadn’t read before. On the down side, the swath was too huge; most weeks required hours of dense reading, yet I was only able to get a very general sense of the major points through lectures far to brief to cover the material in any depth. I noticed this was an adjunct to an in-person course, so maybe that’s why it had the feel of a supplement to a “real” class. It’s the kind of material that, for me at least, would require far more time, and guidance, to absorb.

It was, I will say, an outstandingly produced course. The lecture videos were cinematic, with carefully chosen locations and introductory music that began as a low, ominous hum under the spoken words, then crescendoed at a well-chosen break point to develop into a melancholic theme overlaid by old-style film cuts complete with blotches, pops and crackles. Tremendous work and care must’ve gone into the timing and graphics of these lectures. Some videos were “conversations” with a verité feel, filmed in a coffee shop – again, with a nicely composed introduction of umbrella’d arrival and cappuccino artistry. The production values were extraordinarily high, the material engrossing and moving; I just wish the lectures had been twice as long, at least, with more explicit commentary.

Much of the material was quite depressing (hey, whaddya want, it’s about a particularly grisly war), partly because it’s a bit alarming to study the breakup of Old Europe when the breakup of new Europe may be in progress. Reading the German idealist and nationalist materials brought to mind American exceptionalism and MAGA, both of which feel catastrophic to me at the moment. The poetry was heartbreaking, the art devastating. But I think it’s important that we not lose touch, in this era of drones and air assaults launched from hundreds of miles away from the targets, in a time when most American families do not have anyone in the military, of the real pain that war entails, of the real sight, sound, and feel of death and destruction, so maybe we won’t be so eager to chant war slogans from the safety of our living rooms and offices when our pride is the only thing wounded.

Hey, I warned you it was depressing.

Grading was based primarily on self-evaluation of discussion board contributions. I had a pretty good conversation with one student about German idealism, and made a few other substantial posts. A few multiple choice quizzes, and one peer-assessment assignment, rounded out the graded material.

Somehow I felt like I just missed the boat somewhere along the line, in spite of the artistry and the emotionality. Maybe it’s because I was overwhelmed with too many courses for the first six weeks; maybe it’s a side effect of the current moment, or maybe I was just missing out on some historical subtext. I wish there had been more, but I don’t know exactly what. Still, I’m glad to have some idea of the flow of ideas through the period, and I hope I can expand upon it more in the future.