Course: Introduction to Korean Philosophy and Culture
Length: approx. 12 hours total
School/platform: Sungkyunkwan University/Coursera
Instructor: So Jeong Park
Quote:
This course will give you the cultural and historical background to begin your journey into Korean philosophy, and there is no prerequisite knowledge on philosophy required. Anybody who either has an interest in Korean culture, maybe through K-Dramas or K-pop, or an interest in philosophy from a cross-cultural perspective, are all welcome….
The Korean cultural, social, and political environment has informed and transformed the intellectual assets of China and the West. You’ll explore the creative tensions that Koreans have experienced, and broaden your worldview as you discover a new philosophical approach.
I know nothing about K-Pop except that it exists (it even shows up in some Duolingo Spanish dialogs) but apparently it’s hoped that some fans will use it as a springboard to study Korean philosophy. That’s cool. Me, I just like philosophy, so when I saw this course was available, I jumped at it.
I expected there would be some carryover from Chinese philosophy, and that was very much the case. The first couple of weeks dealt with how Korea both adapted Chinese ideas, and developed its own writing system rather than using Chinese characters, via mechanisms referred to in the course as adaptive and disruptive innovation. Since I have a longstanding interest in linguistics, I found the writing system’s use of not just familiar concepts of forward and backward placement and vocal mechanisms, but of aspects of Yin and Yang as well as the Five Elements found in East Asian cultures.
History also played a role. The name of the university offering the course became a lesson, as the word Sungkyun was a Chinese loanword that, while it lost most of its meaning in China, became an educational standard in Korea, with the extra twist that it was used for the University during the Yuan dynasty as an act of rebellion. For details, you’ll have to take the course; it’s worth it.
One of the central issues with Korean philosophy – with Chinese philosophy as well – is that of connection rather than opposition. This may start with Yin and Yang, which are not seen as opposites but as feeding into each other. The course focused on reason vs emotion, which in Western philosophy are seen as opposites in conflict with each other. Much of Korean philosophy observes how the two generate and moderate each other, more as a circular spectrum than as separate ideas. We spent some time listening to students discuss the term for mind-heart, Maum, 마음. The Four-Seven debate, concering the moral emotions and the everyday feelings, made up another major philosophic topic, as did the Horak debate about whether animals have morality and if anyone can achieve sagedom. The complexity of the term Uri, 우리, the first-person pronoun, was a major topic as well, as it is not quite I and not quite we but about seeing onesself in connection with others, yet distinct. All of these topics require further investigation; this was merely an overview to introduce the ideas.
The format was what I call “Youtube plus a quiz”: several lecture videos, and sometimes a student Q&A, made up each module, with an information-retrieval test of ten questions at the end. The graded final exam of 25 questions is paywalled; you can see the questions but not submit for grading (or find out if you got the questions right, which is a brilliant way of encouraging the competitive among us to shell out $49.00 for a certificate).
A four-week course can only cover so much, of course, but now that I’m reviewing the material to write this post, I’m surprised at how much was included. The course was designed for absolute beginners in both Korean culture and in philosophy in general, so there’s a lot of unexplored depth, but it still conveyed a substantial introduction. I was quite pleased.
Length: 5 weeks, 1-2 hrs/wk
Yu Hua’s China in 10 Words, the only nonfiction covered in the course, served as both an entry into the class, and a wrap-up, as the course is situated within a series about understanding China. An entry survey asked us to come up with ten words we connect with China, prior to reading the works or taking the course. Given the coincidence of taking this during a pandemic that began in China, and living in a country with a leader whose racism is front and center, it was a bit disconcerting [Note: I took this course in the Spring; this post has just been sitting in my notes document since then, but I… well, I forgot about it until I saw it the other day]. I connect China with the philosophies of the Warring States period, with the poetry of the Tang (or is it Song, I get them confused) dynasty, and with bits and pieces I’ve encountered in other moocs. At the end of the course, the instructor and his grad students came up with their own list of ten words to summarize contemporary China; they of course know a lot more than I do about it.
Initially, I thought Lenin’s Kisses by Yan Lianke would be the book I’d be most likely to read on my own, just based on the description: a satiric novel about a kind of travelling circus of disabled people from a poor village who turn to entertainment for economic survival. From the excerpt included, I get the impression there are important nuances that I couldn’t follow, so I’m not sure it’s where I would start.
the excerpts in translation that were provided), so that makes it tempting as well. Red Sorghum by Mo Yan, a “native soil” novel about peasant China (their word, not mine) rounded out the field.
Length: total ~14 hours
Poets.” Kincaid confesses back: “Elementary Geology. Rocks for Jocks.” This course is essentially Physics for Poets: general concepts peeled down to their simplified forms, presented via concrete examples with minimal math. 
Each of the six weeks focuses on an object that demonstrates a related group of concepts. Skateboarding, for example, introduces force, inertia, and acceleration. I’d never considered weight as a force before (it’s usually ignored in favor of mass), but it makes a lot of sense in this context. And by spending a couple of weeks focusing on force – that is, newtons – I was much better able to grasp the idea of joules when we got to energy later on. For me, that alone was worth taking the course.
The other objects are falling balls, ramps, seesaws, wheels, and bumper cars. I can say I saw a lot of things more clearly, such as what’s a force and what isn’t, and what properties are conserved. By comparing linear velocity and momentum to angular velocity and momentum, the course helped me keep a lot more organized. I’m still a little confused about some stuff, but it’s not a total jumble. 
around, plays air hockey to simulate bumper cars, and does everything he can to demonstrate various kinds of forces and accelerations while also showing off the UVA campus. There is some math, but very little, and it’s of the a=b*c variety, very simple even for me. In fact, after I finished the course, I went back and dragged out the formulas that tended to get buried in the long runs of explanation. This also was a very worthwhile process for me. 
if relatively worthless cheating). A final exam similar (at times identical) to the Preliminary Assessment finishes things off in Week Seven. 
Course: 
I first discovered Michael Puett through Harvard’s ChinaX series when I took the first few parts of it about four years ago. I’m not sure what it is that makes him such a wonderful speaker: he’s not dynamic, or funny, or even particularly attractive (hey, we all go there sometimes), at least in ways we usually think of in terms of great speakers. But I sometimes just look for videos on youtube where he’s explaining something, even something I don’t understand (Chinese history, rather than philosophy, is his academic area, though the two aren’t all that separable). In this particular course, he has a somewhat Mr. Rogers vibe, and it’s mesmerizing. And soothing. ASMR for philosophy geeks.
Chinese thought, and as someone who’s had some prior exposure to the basics of Chinese thought, I liked it as a quick review of the high points. The lectures seemed a bit repetitive, but for someone encountering the material for the first time, I suspect that would be a plus.
philosopher under discussion. For example, the dinner table or a business meeting can become a ritual space; playing a musical instrument or a sport can, after a lot of focused practice, become spontaneous. So it, too, serves as reinforcement for the particular vocabulary.
Course: 
stuff gets in and out of the nucleus. So there’s a lot about signal sequences, about channels and pores, and about enzymes, chaperones, and all kinds of supporting players. I’m still amazed every time I get even a peek at how complicated it is to keep us alive. 
two instructors; I also felt that the videos themselves were a bit more cut-and-paste (it’s not unusual for individual videos to show edits, removing classroom issues for instance), thought that’s just an impression. We started off with lectures on experiments, and with little context, I had no idea what it was we were experimenting on. Once the more process-oriented material started I was able to catch on, but it was a tough few hours there. Then again, I have the disadvantage of having never been in a lab, so I’m always a little behind the eight ball when lab work is the topic. I’m beginning to get it, though: biochem mashes things up and assays for products; genetics creates mutations and assays for function; and cell biology often uses microscopy, including some very cool fluorescing techniques. 
Each video is followed by a set of “check” questions; these count in grading, but in most cases have unlimited attempts so are pretty much free points. Three quizzes make up the bulk of the grades, and these are, of course, more difficult and in most cases only offer one attempt. The Audit version of the course does not allow access to the third quiz; that requires paying for Verified access. But the Check questions and the first two quizzes give a pretty good idea of how well you’re understanding the material. 
This series includes several fun features. Wiltrout Questions, named for one of the off-screen professors, are open-ended “What do you think about this” questions that invite students to figure out how something might work, to “encourage active engagement in thinking about cell biology and a deepened understanding of a specific concept or approach”. After each unit, students are invited to submit Mudslips indicating “the muddiest, or least clear aspect of that class period.” Then there were the “Neat Experiments” videos, detailed and carefully animated explanations of historically important lab work in cell biology that nailed down a principle or used a new technique. These aren’t new features, of course; questions in both directions have always been part of these courses (Journal Club in another course, for example), and experiments have always been central in these courses. But it’s a nice touch to formalize them.
Another fun aspect was the naming of the proteins. One set was named Mens, Manus, and Cor; it turns out the MIT motto is the first two, “mind and hand”; the “heart” was added because, well, it’s about time (and there was a third protein that needed naming). Another set was named after Greek muses or fates or something, I don’t remember. Each of these courses has little personalizing details like this; it isn’t as though there’s strong pedagogical impact, but they’re part of what makes these courses so engaging. 
Course: 
It’s one of those courses that just drifted irresistibly across my feed, whispering enroll, you know you want to. I was a little daunted by the “10 weeks, 6-7 hours/week” time estimation, but I figured, what’s the worst that could happen, I don’t finish. In retrospect, I’m not sure where they got those numbers from. All the material is released at once; it’s a six-lecture course, with one or two videos totaling about 20 minutes, and two or three jamelan exercises each. The jamelan will take a while to get used to, and I found it helpful to repeat the exercises every day or so. Still, I would consider the time estimate wildly inflated: I finished it all in a little more than a week, a couple of hours a day at most.
group. There’s a small subset of gamelan that’s used to accompany shadow puppet plays. The music can have religious or secular purposes.
Lectures were provided by Prof. Evan Ziporyn, who in 1993, founded Gamelan Galak Tika (get it? Say it fast), MIT’s gamelan 
I struggled a bit with the lingo. It’s not just that it’s in an unfamiliar language; I found it hard to organize it all: this is a type of music, this is an instrument, this is a subset of that type. I posted a question on the discussion board, along with a crude outline of what I thought the divisions were, and received a prompt and helpful reply the next morning. My biggest confusion was about the word “gamelan” itself: is it a type of music, or a type of instrument? Turns out it’s sort of both, similar to how Western music might use the term “string quartet” to describe a type of music with a certain structure played by certain instruments. That helped a lot. 
One of the extraordinary benefits of moocs – and one overlooked in the age of “get skills and a certificate to improve your job prospects” – is the ability to check out things you’ve never heard of before and might never have otherwise heard of. This mooc succeeds wildly on this dimension. It was one of those completely unexpected moocs that sometimes crop up, one of the best aspects of moocdom. I wouldn’t say it was the best mooc I’d taken, but you know what, teaching music is hard, putting up moocs is hard, and teaching music in asynchronous mode to people from all over with a wide range of musical experience is really hard. I love that they did this, and I love that they have other courses in the works. 
Length: 12? weeks, 3-6? hrs/wk
for, what reactants do you need, what would you expect to see, what does this result – graph, gel image, whatever – mean. This is, after all, what biochemists are training for, not memorizing reactions. Something I discovered late in the course: the names of the fictional lab team in the Problem Set questions are the names of biochemists. They don’t have the distinct (and amusing) personalities of those in the Molecular Bio lab 
The material is broken down into eight modules, one released every week, but the due dates allow a week of extra time for all modules. I wish I had the chops to spend just 3 to 6 hours as predicted on the home page; for me, it was more like 10 – 12 hours, though I do a lot of extra work basically copying the whole course into a Word document for future reference. Each module consists of a set of between ten and twenty video lectures; these are each followed by a short quiz that allows unlimited attempts for each question. The module is capped off by a Problem Set, where the number of attempts are more restricted and the lab scenario is usually prominent. As you might expect, the Problem Sets count for a lot more than the Test Yourself quizzes. Some weeks have far more material than others, but it might be they seemed harder to me because they hammered my weaknesses.
Some of the Problem Sets included questions that required the use of MatLab; you can connect for free through the course (in fact I still had an account from a prior course, to my surprise). I skipped these entirely. Maybe another time. Optional PyMol assignments were also included. I used PyMol in another course, and liked it a lot, but I didn’t mess with it this time; I had too much to deal with already. 
I’m a big fan of MIT’s approach, even though I’ll never set foot in a bio lab or work on an actual science degree. The Harvard Biochem 
found… 
enough to continue. Let’s face it, I’ve taken pretty much all the moocs I was interested in already, and the new ones lean heavily towards vocational/technical instruction rather than academics. 
took a couple of years ago, and The Tale of Genji was discussed in the World Literature 
books inserted into the sculpture and the kinds of paper decorations. I’d never heard of this before. A creative assignment rounded out the videos and questions: how would you design a time capsule of similar meaning? 
are used to bring the reader into the story (illustrations using the same house from different angles, for instance), and calligraphic techniques that vary depending on the work. Both form and content of the works is discussed, with an emphasis on how one affects the other. 
Three months, one thousand pages of source text, two additional critical/historical texts, one mooc and one OCW later – I have some idea of how that madness feels.
of academic essays on various literary aspects of the novel (which was great), plus a 
And oh by the way… since I was watching both OSP and the Yale lectures on Youtube, other Don Quixote videos cropped up, and I discovered a 
Contemporary editions of DQ almost always include both Parts I and II, but Prof. González points out that Cervantes did not originally intend to write a second book. Given how well Part II recapitulates, and un-enchants (I’ll get to this), part I, it’s hard to believe this was not in the works, but he finished Part I and did some other things before realizing he’d written a best-seller, and a sequel might be a good idea. They were published ten years apart, but another writer, using the pseudonym Alonzo Fernandez de Avellaneda, wrote a “False Quixote” in between. Cervantes became aware of this as he was writing Part II, and – this is where I get goosebumps – references it several times. It’s part of the self-reflexivity of the novel, a feature I particularly enjoyed. 
I love the layered narration. The text has a narrator, of course. But this narrator, at the end of Part I, Chapter 8 (remember, Part I has 52 chapters) announces that “at this very point the author of this history leaves the battle unfinished, excusing himself on the ground that he hasn’t found anything more written about these exploits of Don Quixote than what he has narrated.” In Chapter 9, this narrator tells us he came across a street vendor selling notebooks written in Arabic. A Moorish passerby translated the title: History of Don Quixote de la Mancha, written by Cide Hamete Benengeli, an Arab historian – a relative of whom, by the way, may be one of the minor characters in one chapter. Our in-story narrator hired the anonymous Moor to translate the whole thing, which the narrator has set down. And of course all of this is written by Cervantes. It raises the question of the God-like status of writers creating worlds, and also leads to the question, so who, or Who, wrote Cervantes? From the little I’ve read about it, this technique features prominently in the Rushdie work as well.
This narrative technique, linked to the Master Pedro puppet show (II.25-26) is featured in the George Haley essay in the Casebook, appropriately titled “The Narrator in Don Quixote: Maesa Pedro’s Puppet Show.” Prof. González also put a little sketch on the board in his 
There’s so much more. Every aspect of Spanish political, religious, social, and economic culture is brought into the tale, either symbolically or literally. Sancho turns out to be a natural logician, as he solves a problem closely resembling the Liar’s Paradox. Don Quixote offers a good deal of advice to writers in various places, mostly following Aristotle, which is particularly ironic since Cervantes left Aristotle in the dust. The Cave of Montesinos as an analog of Dante’s Inferno; Sancho’s ceremony at Altisadora’s catafalque as an analog of the Inquisition. George Mason Professor of Spanish Literature 
Antonio Carreño-Rodríguez’ paper (“Costello + Panza = Costanza: Paradigmatic Pairs in Don Quixote and American Popular Culture”) citing DQ and Sancho as the original comedy team, leading to Abbott & Costello, and later, Jerry Seinfeld and George Costanza. The death of Don Quixote, which Borges considers the reason for the entire book. And the opening question: can books drive one insane? 
The early modern period was an exciting time for invention and innovation. On this course, you’ll explore book production using examples from Trinity College Dublin and the Edward Worth Library, Dublin.
It’s hard to imagine a world where books aren’t readily available or easily ordered at local bookstores and libraries, let alone Amazon and other online sources. This course takes us back to such a time when the printed book joined, and eventually took over from, manuscripts. 
of books banned by the Catholic church; my favorite topic was printer’s devices.
the course ends. An upgrade to unlimited access, graded material, and a Certificate of Completion would have cost $59; an Unlimited option, offering access to all courses for one year plus Certificates of Completion, is available for $249. 
Course: 
The first course on the Hebrew Bible was more or less formal lecture and covered the expected material: the J, P, D, and E sources, which prophets were Northern Kingdom and which were Southern, who was pre-exile, post-exile, and trans-exile, etc. The instructor demonstrated great fondness for the texts, and made convincing arguments that, contrary to later opinion in Christian culture, Judaism was not all about law and rules. The origin of some of the most familiar Biblical stories in ancient mythologies from around the middle East, the changing covenant with God from suzerainty to a more Zionist approach to the less concrete displayed in Job are outlined, along with the history that provoked these changes. I always thought the book of Job was one of the earliest in the Bible; turns out, the basic story is very old, but the philosophical construction reflects a much later period in ancient Israel’s history.
The New Testament instructor took a more casual, interactive approach, injecting frequent humor and asking for input from the in-person class. The formation of the Canon was a running theme, as was the wide variety of Christianities that existed in the first two centuries and the texts that were winnowed from what has now become the standard Bible. Viewing the Bible as a library, rather than as a single book, was a helpful way of dealing with some of the contradictions found between different books. Different views of Jesus as seen through different Gospels – including a few that aren’t in most contemporary Christian canons – were lined up with possible authorships. Paul’s letters were thoroughly covered, as well as the pretend-Paul letters and other letters that show various types of Christianity in the first couple of centuries after Christ. 
Course: 
Each week looks at a different aspect, and shows what cases and decisions were crucial in forming what we more or less take for granted now. It’s all very accessible; even the cases are available in full legalistic glory, or in for-the-rest-of-us form. Though it’s large-class lecture, there’s some interaction, which always makes a course more interesting. 
Each lecture started with a welcome that included online students and “community auditors”. I was curious about that, so I went looking: it seems that, for $200, pretty much anyone can sit in on most Princeton lectures in person, as long as they sit in the back and don’t say anything unless expressly invited (keep out of the way of the “real” students, so to speak). And then there are moocers, who get much the same deal for free. While edX has upped the pressure to pay – audit courses are no longer available indefinitely, and graded materials aren’t available – Princeton says, screw that, and somehow carved out its own deal. Grades were calculated, the course is available in archive, and they even email a Certificate to everyone who passes. Now that’s open. 
Course: 
where France and England came from, though I confess, I still don’t understand the whole “fall” of Rome; I think I’m taking the word too seriously, maybe I should go with “decline”. In any case, Gibbon’s six-volume history seems to have lost its lustre; I’m glad I never got around to reading it. 
Let me begin with a disclaimer: This was not the right class for me to take. I was curious to learn more about the technical details of vaults, having seen some wonderful examples of structures from medieval and renaissance architecture, and this was, as advertised, a very basic introduction to the engineering of vaults. However, after a brief look at the Roman Pantheon, the course focused on concrete shells of the 20th century and more modern innovations. I lost interest quickly. Then I got sick between weeks 4 and 5, which further diminished my participation. I did end up “passing” the course, so it might be worth your while even if your particular interest is only partly covered. And I did come away with a better understanding of how vaults work, though keep in mind, I started at absolute zero.
Each week consisted of three distinct sections: a lecture series covering the historical and technical development of vault engineering, generally by focusing on one engineer who introduced a specific innovation, be it reinforced concrete or hyperparabolic shapes; a mathematical section, in PDF form, covering several equations in detail, though at a fairly simple mathematical level requiring only basic algebra; and a creative section, which invites students to post pictorial examples of some facet of the week’s material. Grading is divided fairly equally among these three sections. But don’t worry: although the material, particularly the mathematical sections (none of which go beyond basic algebra), may seem intimidating, the questions are manageable. Even though I skipped everything but the lecture sequences of weeks 5 and 6, I “passed” by a comfortable margin. 
The lectures were very good, with lots of illustrative exampes, interviews with a variety of engineers and scholars, and a very step-by-step explanation of the development and construction of the technique under study.
Libertarianism. Instead, it focuses on philosophical libertarianism, which is related to non-determinism and the potential of different outcomes for different choices. The second level of this is to become a different kind of chooser, a bit more sophisticated kind of free will, in which we can decide to learn a language or a musical instrument and thus open up those choices, or follow a particular way of life and make our choices there. Sound complicated? It isn’t, really, but it helps to take the first couple of weeks of the course to see the ways this works.
The first week presented an overview of determinism vs non-determinism, and the general outline of free will within that schema. Week two continued with a philosophical approach to the classifications of free will. The remaining four weeks focused more on neuroscience, and how our brains have evolved to allow consideration of choices, as well as random fluctuations that prevent determinism. 
In any case it was seriously interesting all the way through. If some of the material should seem overwhelming, don’t worry; the graded questions are looking for broader concepts. A set of non-graded questions follows up each lecture, with a quiz at the end of the week drawn from those same questions. There’s reallly no excuse to miss any of those questions, in other words. They account for 75% of the course grade, with discussion counting for 25%. Since the passing grade is 70%, it’s very possible to pass the course without doing the discussion. I avoided discussion deliberately, as there was a particularly argumentative student who basically disagreed with everything, and I just didn’t want to deal with it. 