Pushcart XLIII: Julian Randall, “Codeswitch Decomposing into Lil Wayne Lyric” (poem) from Ninth Letter, Winter 2017

Jeff Manning: Find Your Wings II (detail)

Jeff Manning: Find Your Wings II (detail)

                         After Danez Smith
 
Lord Please Forgive Me for My Brash Delivery
A face is for other people’s benefit, a brochure gospel
undone by a mouth. I am the most marketable sin since 2004.
A smile that yields only bones, a mouth slick with restraint.
I am a good filament, a bright obedient electric. I speak,
and sometimes am found.

Complete poem available online at Ninth Letter

And once again, the disclaimer that’s getting worn out: I’m out of my element. But that’s what google is for. This seems to be another conversation in poetry, though I’m unable to locate the original Danez Smith poem that inspired it. I regret to say that, while I am vaguely familiar with Lil Wayne, at least the name, I’m unfamiliar with his work. Hey, gimme a break, I’m a senior citizen still mourning the breakup of Simon & Garfunkel; the only contemporary music I hear these days is on tv shows and ice skating competitions (yes, I’m really that boring).

The poem has an interesting structure, so at least I can start there. Each of five sections begins with some version of the sentence “Lord Please Forgive Me for My Brash Delivery”, with each iteration losing a word or two from the end. Thus the second stanza continues:

Lord Please Forgive Me for My Brash
body and especially my mouth, for-
give me my scholarships, for-
give me my name brand ambition, for-
give me my tattered skin on my G-Unit sneakers
how easy I drenched all the photographs

I’m not sure why the apology is necessary, if it relates to the speaker, to the poet, to Smith, or to Lil Wayne (or all of them). I do like the way the lines are enjambed by for-, which makes it sound like a continuation of “for this, for that” but is really a repetition of “forgive” hyphenated. And I’m fascinated by the sneaker competition between rap stars.

As the stanzas continue and the first line is whittled away, the language becomes less formal, until, as promised, the final stanza is a reframing of a Lil Wayne lyric, or possibly a mash-up of lyrics.

Fortunately, the poem is available online, so I’ll just step aside and get out of the way.

2 responses to “Pushcart XLIII: Julian Randall, “Codeswitch Decomposing into Lil Wayne Lyric” (poem) from Ninth Letter, Winter 2017

  1. I asked my resident Lil’ Wayne fan if there were any obvious and overt Lil’ Wayne references in this, and she said no, it’s merely that the end of the poem morphs from American School English to words “in the manner of a Lil’ Wayne lyric.” I can’t really give a rigorous re-statement of what the poem’s doing, but it seems like the beginning is a “sorry/not sorry” about acting defiantly and proudly black/non-white/non-comformist. There’s some wry observations about how being defiantly black is hip and “marketable,” some celebration of what the poet is, and then when the poem “codeswitches” fully, there’s no longer any fake apology for being a full-on counter-cultural storm. Something like that. As poetry, it’s not really something that fully parses.

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