Course: The Einstein Revolution
Instructors: Peter Galison, Ion Mihailescu
Quote:Participants in the course will follow seventeen lessons, each of which will present a mix of science (no prerequisites!) and the broader, relevant cultural surround. Some weeks will examine the physics concepts, while others will see excerpts of films or discuss modernist poetry that took off from relativity. Or we might be looking at the philosophical roots and philosophical consequences of Einstein’s works. At other times we will be fully engaged with historical and political questions: the building, dropping, and proliferation of nuclear weapons, for example.
Philosophy +history+ low-level science + art + biography = what could be better? I haven’t been this happy since I found that vid about Dante’s model of Paradise using four-dimensional geometry.
Galison is a Professor of History of Science and Physics (and the recipient of a MacArthur “genius” grant in 1997). The course is largely based on his book, Einstein’s Clocks and Poincare’s Maps, which just happen to be topics of the first few weeks.
But while there’s a lot of science, it doesn’t stop there. Yes, there’s Brownian motion and the photoelectric effect, but there’s also realism vs positivism and the Vienna Circle. The equivalence principle and Minkowski’s geometric interpretation of relativity take up considerable time, but so does the art of Hannah Hoch, along with Prof. Hillary Chute’s heartbreaking interview about Japanese manga relating to Hiroshima. You’ll meet Boltzmann, Mach, Bohr, Schrodinger and Heisenberg, but also Blau and Meitner, and you’ll find out why those last two names are not familiar – and why they should be.
I have to admit to being less than happy early on. In fact, the first couple of weeks were pretty brutal, math and science-wise. It’s not that anything was that complex; certainly no calculus or serious computation. I just found it draining, and there were details that made no sense to me (and still don’t). But then there was a stretch of history and philosophy, and some art, and I felt a lot better. The longer the course went on, the happier I was to have pushed through the rough start. Another drawback: there was no staff. Sadly, that’s not unusual, particularly since this was the second run of the course. Automoocs: push a button and they start. The cohort was quite lively nevertheless, and we managed.
Grading was structured so that it was possible to “pass” even if an area was mostly ignored. Between physics assignments, peer-assessed essays, and forum posts, there was plenty of opportunity to collect enough points even if, say, you wanted to skip a couple of essays (as the lowest two would be dropped anyway) or did poorly on some science (where the lowest two scores were dropped as well).
Scores, however, aren’t really the purpose in a course like this, at least not for me. From my point of view, it’s just a great way to see how art, philosophy, and science can interact, and to watch a fascinating era in human history develop over a half-century. It’s more of an exploration, meant perhaps to broaden rather than deepen one’s view. I found the approach to be unique and quite enjoyable, an inviting hook into further study.